Browsing by Author Birringer, J

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Issue DateTitleAuthor(s)
2013Bauhaus, constructivism, performanceBirringer, J
2013Bodies and labour: industrialisation, dance and performanceMcColl, Jennifer
2015Cultural-based visual expression: Emotional analysis of human face via Peking Opera Painted Faces (POPF)Wang, D; Kang, J; Qin, SF; Birringer, J
2010Dirty light: The application of musical principles to the organisation of light as an extension of musical expression into the non-figurative visual realmCiciliani-Stiglmayer, Marko
2011Immersion and interaction: Creating virtual 3d worlds for stage performancesPolydorou, Doros
2011The instrument in space: The embodiment of music in the machine ageWilkins, Caroline
2014"Joe Annie Street"Birringer, J
2009La bambola di carneBirringer, J
2011Material agency and performative dynamics in the practices of media artTränkle, Marion
2010Moveable worlds/digital scenographiesBirringer, J
2015The new digital materialismBirringer, J
2016Performance in the cabinet of curiosities: Or, the boy who lived in the treeBirringer, J
2017The performance of breathlessness on the pageWorden, Jessica
2015Raumwirkung: the case of WozzeckBirringer, J
2016Really actually windy: On environments, technologies, and dividual performancesBirringer, J
2015Resonances: The sound of performanceBirringer, J
2016The systematic analysis and innovative design of the essential cultural elements with Peking Opera Painted Faces (POPF)Wang, Ding
2005The telematic dress: Evolving garments and distributed proprioception in streaming media and fashion performanceBirringer, J; Danjoux, M
2014The theatre and its screen doubleBirringer, J
2014Traumagical realism and the re-creation process: subversive commun(e)ication of the traumatic in theatre and performanceMacias-Gutierrez, Elizabeth