Please use this identifier to cite or link to this item: http://bura.brunel.ac.uk/handle/2438/14107
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dc.date.accessioned2017-02-23T09:56:23Z-
dc.date.available2016-02-01-
dc.date.available2017-02-23T09:56:23Z-
dc.date.issued2016-
dc.identifier.citation2016en_US
dc.identifier.urihttp://bura.brunel.ac.uk/handle/2438/14107-
dc.description.abstractThis paper reflects on the personal and professional experience in co-leading an electro-acoustic composition course in Art Zoyd Studios, a professional studio environment in Valenciennes, France for the last nine years. Considering how this has involved collaborative teaching and teaching collaboration to students, I contrast the terms real world and academia (n.b. neither are meant to be pejorative or mutually exclusive in this project). There is an attempt to scale this successful experience into HE particularly within the context of the Brunel School of Arts Music Subject.en_US
dc.formatWEB/PDF-
dc.language.isoenen_US
dc.subjectPDAPen_US
dc.subjectcollaborationen_US
dc.subjectcollaborative teachingen_US
dc.subjectco-teachingen_US
dc.subjectco-learningen_US
dc.subjectmusic compositionen_US
dc.subjectreal worlden_US
dc.subjectacademiaen_US
dc.titleCollaborative teaching/teaching collaboration: Reflections on a methoden_US
dc.typeOtheren_US
pubs.publication-statusPublished-
Appears in Collections:Dept of Arts and Humanities Research Papers

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