Please use this identifier to cite or link to this item: http://bura.brunel.ac.uk/handle/2438/14791
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dc.contributor.authorMoody, P-
dc.date.accessioned2017-06-20T13:54:07Z-
dc.date.available2017-06-20T13:54:07Z-
dc.date.issued2017-
dc.identifier.citationInternational Journal of Communicationen_US
dc.identifier.issn1932-8036-
dc.identifier.urihttp://bura.brunel.ac.uk/handle/2438/14791-
dc.description.abstractHollywood’s global market power has been attributed to several factors, but little attention has been given to the support it receives from the US government, and State Department embassies in particular. However, the release of over 250,000 US diplomatic cables by WikiLeaks in 2010, has provided scholars with an opportunity to examine this aspect of US government support for Hollywood’s market power in detail. This article will explore how the State Department’s global network of embassies support Hollywood’s economic interests. I conclude that this State/Hollywood relationship is evidence of contemporary American cultural imperialism.en_US
dc.language.isoenen_US
dc.subjectCultural imperialismen_US
dc.subjectHollywooden_US
dc.subjectWikiLeaksen_US
dc.subjectfilm piracyen_US
dc.subjectUSen_US
dc.subjectintellectual property rights (IPR)en_US
dc.subjectFree Trade Agreementsen_US
dc.titleUS Embassy Support for Hollywood’s Global Dominance: Cultural Imperialism Reduxen_US
dc.typeArticleen_US
dc.relation.isPartOfInternational Journal of Communication-
pubs.publication-statusAccepted-
Appears in Collections:Dept of Social and Political Sciences Research Papers

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