Please use this identifier to cite or link to this item: http://bura.brunel.ac.uk/handle/2438/20198
Title: Introduction
Authors: Crawley, M-L
Paramana, K
Whatley, S
Racz, I
Keywords: dance;visual art;bodies;space;object;memory
Issue Date: 8-Nov-2020
Publisher: Palgrave Macmillan
Citation: Crawley, M.L. et al. (2020) 'Introduction', in Whatley, S. et al. (eds.) Art and Dance in Dialogue: Body, Space, Object. Cham, Switzerland: Palgrave Macnillan, pp. 1 - 15. doi: 10.1007/978-3-030-44085-5_1.
Abstract: Copyright © 2020 The Author(s). This chapter provides a detailed contextualising for the book, situating the collection in a broad theoretical and historical framework. It references the meetings that brought together experts in dance and visual arts, which led to the book. The discussion outlines the two main themes in the book that are explored by the writers—the subjective, lived relations with objects and the social sphere, and the different approaches to absence, visibility and resistance. Drawing on diverse theories and viewpoints, the introduction outlines each chapter, describing how the writers open up new thinking about dance and visual art, and the connections between each discipline’s discourses and practices.
URI: https://bura.brunel.ac.uk/handle/2438/20198
DOI: https://doi.org/10.1007/978-3-030-44085-5_1
ISBN: 978-3-030-44084-8 (hbk)
978-3-030-44085-5 (ebk)
Other Identifiers: ORCID iD: Katerina Paramana https://orcid.org/0000-0002-1595-7118
Appears in Collections:Dept of Arts and Humanities Research Papers

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FullText.pdfCopyright © 2020 The Author(s), under exclusive license to Springer Nature Cham. This is a pre-copyedited, author-produced version of a book chapter abstract accepted for publication in International Human Rights Institutions, Tribunals, and Courts, following peer review. The final authenticated version is available online at https://doi.org/10.1007/978-3-030-44085-5_1 (see: https://www.springernature.com/gp/open-research/policies/book-policies).220.81 kBAdobe PDFView/Open


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