Please use this identifier to cite or link to this item: http://bura.brunel.ac.uk/handle/2438/22121
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dc.contributor.authorAndrews, S-
dc.date.accessioned2021-01-20T16:08:17Z-
dc.date.available2015-10-21-
dc.date.available2021-01-20T16:08:17Z-
dc.date.issued2015-10-21-
dc.identifier.citationAndrews, S. (2015) 'Surge, Sway, and Yaw: Mooring Performances in the Boat Project and A Room for London', Contemporary Theatre Review, 2015, 25 (4), pp. 502 - 517. doi: 10.1080/10486801.2015.1078326.en_US
dc.identifier.issn1048-6801-
dc.identifier.urihttp://bura.brunel.ac.uk/handle/2438/22121-
dc.format.extent502 - 517-
dc.languageEnglish-
dc.language.isoenen_US
dc.publisherRoutledgeen_US
dc.rightsThis is an Accepted Manuscript of an article published by Taylor & Francis in Contemporary Theatre Review, 2015, available online: http://wwww.tandfonline.com/10.1080/10486801.2015.1078326-
dc.titleSurge, Sway, and Yaw: Mooring Performances in the Boat Project and A Room for Londonen_US
dc.typeArticleen_US
dc.identifier.doihttp://dx.doi.org/10.1080/10486801.2015.1078326-
dc.relation.isPartOfContemporary Theatre Review-
pubs.issue4-
pubs.publication-statusPublished-
pubs.volume25-
dc.identifier.eissn1477-2264-
Appears in Collections:Dept of Arts and Humanities Research Papers

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