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Collection's Items (Sorted by Submit Date in Descending order): 1 to 30 of 36
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Issue DateTitleAuthor(s)
2014Opening offer or contractual obligation? On the prescriptive function of notation in music todayFox, C
2014Karnatic rhythmical structures as a source for new thinking in western musicWiegold, Peter; Reina, Rafael
2012A gesturally controlled improvisation system for pianoNicolls, S; Gillian, N
2007The invisible artist: Arrangers in popular music (1950-2000): Their contribution and techniquesNiles, Richard
2012New sounds and extended composition techniquesFox, C; Barrett, R; Croft, J; Ohara, Yuko
2012Sight, sound, the chicken and the egg: Audio-visual co-dependency in musicFox, C; Faia, C; Katan, Simon
2013Form and freedom: the marriage of musical systems and intuitionFox, C; Gotham, Nicholas
2012Looking at sound / listening to imageWalshe, J; Kolsoe Ágústsdóttir, Hallveig Guony
2013Combining musical identities through composition and improvisationRiley, C; Perks, Richard
2013A holistic view of the creative potential of performance practice in contemporary musicLüneburg, Barbara
2010Seeking out the spaces between: Using improvisation for collaborative composition and interactive technologyNicolls, S
2008The psychological, psychophysical and ergogenic effects of music in sport: A review and synthesisKarageorghis, CI; Terry, PC
2011Methods and ideas for the creation of 'transparent' music in the classroomLawrence, Tom
2011The instrument in space: The embodiment of music in the machine ageFox, C; Birringer, J; Wilkins, Caroline
2011Discovering, creating and experiencing notions of theatricality in musical performanceBarrett, R; Fox, C; Walshe, J; Emfietzis, Grigorios
2012Open, mobile and indeterminate formsGilmore, B; Barrett, R; Fox, C; Wiegold, P; De Bièvre, Guy
2012Music in the exercise domain: A review and synthesis (Part II)Karageorghis, CI; Priest, DL
2012Music in the exercise domain: A review and synthesis (Part I)Karageorghis, CI; Priest, DL
2010CuDAS: An interactive curriculum combining pedagogic composition with interactive software for the teaching of music technologyLeaman, Oliver
2010The creative symbiosis of composer and performer (An examination of collaborative practice in partially improvised works)Wiegold, P; Melvin, Andrew
2010Interacting with the pianoGilmore, B; Nicolls, Sarah Louise
2011The physicality of sound production on acoustic instrumentsCroft, J; Barrett, R; Fox, C; Williams, Tristan Rhys
2010Dirty light: The application of musical principles to the organisation of light as an extension of musical expression into the non-figurative visual realmGilmore, B; Birringer, J; Ciciliani-Stiglmayer, Marko
2011Reworking musical strategies in the digital ageBarrett, R; Fox, C; Reuben Paris, Federico
2010Metonymy as a creative structural principle in the work of J.H. Prynne, Derek Bailey and Helmut Lachenmann with a creative componentBarrett, R; Brady, A; Croft, J; Lash, Dominic
2010Block structures, multi-layering and memory. Composition portfolio: CommentaryFox, C; Peters, Nicholas Rayfield
2010In order and out of time: Compositions exploring processes, polymeters and balanceMuenz, H; Croft, J; Gisby, Steven David
2008My dirty stream: Pete Seeger, American folk music and environmental protestIngram, D
2009Four pieces of music with critical commentaryBarrett, R; Fox, C; Holter, Colin Kirkland
2007A grounded theory of young tennis players’ use of music to manipulate emotional stateBishop, DT; Karageorghis, CI; Loizou, G
Collection's Items (Sorted by Submit Date in Descending order): 1 to 30 of 36
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