Collection's Items (Sorted by Submit Date in Descending order): 21 to 56 of 56
| Issue Date | Title | Author(s) |
| 2014 | Opening offer or contractual obligation? On the prescriptive function of notation in music today | Fox, C |
| 2014 | Karnatic rhythmical structures as a source for new thinking in western music | Reina, Rafael |
| 2012 | A gesturally controlled improvisation system for piano | Nicolls, S; Gillian, N |
| 2007 | The invisible artist: Arrangers in popular music (1950-2000): Their contribution and techniques | Niles, Richard |
| 2012 | New sounds and extended composition techniques | Ohara, Yuko |
| 2012 | Sight, sound, the chicken and the egg: Audio-visual co-dependency in music | Katan, Simon |
| 2013 | Form and freedom: the marriage of musical systems and intuition | Gotham, Nicholas |
| 2012 | Looking at sound / listening to image | Kolsoe Ágústsdóttir, Hallveig Guony |
| 2013 | Combining musical identities through composition and improvisation | Perks, Richard |
| 2013 | A holistic view of the creative potential of performance practice in contemporary music | Lüneburg, Barbara |
| 2010 | Seeking out the spaces between: Using improvisation for collaborative composition and interactive technology | Nicolls, S |
| 2008 | The psychological, psychophysical and ergogenic effects of music in sport: A review and synthesis | Karageorghis, CI; Terry, PC |
| 2011 | Methods and ideas for the creation of 'transparent' music in the classroom | Lawrence, Tom |
| 2011 | The instrument in space: The embodiment of music in the machine age | Wilkins, Caroline |
| 2011 | Discovering, creating and experiencing notions of theatricality in musical performance | Emfietzis, Grigorios |
| 2012 | Open, mobile and indeterminate forms | De Bièvre, Guy |
| 2012 | Music in the exercise domain: A review and synthesis (Part II) | Karageorghis, CI; Priest, DL |
| 2012 | Music in the exercise domain: A review and synthesis (Part I) | Karageorghis, CI; Priest, DL |
| 2010 | CuDAS: An interactive curriculum combining pedagogic composition with interactive software for the teaching of music technology | Leaman, Oliver |
| 2010 | The creative symbiosis of composer and performer (An examination of collaborative practice in partially improvised works) | Melvin, Andrew |
| 2010 | Interacting with the piano | Nicolls, Sarah Louise |
| 2011 | The physicality of sound production on acoustic instruments | Williams, Tristan Rhys |
| 2010 | Dirty light: The application of musical principles to the organisation of light as an extension of musical expression into the non-figurative visual realm | Ciciliani-Stiglmayer, Marko |
| 2011 | Reworking musical strategies in the digital age | Reuben Paris, Federico |
| 2010 | Metonymy as a creative structural principle in the work of J.H. Prynne, Derek Bailey and Helmut Lachenmann with a creative component | Lash, Dominic |
| 2010 | Block structures, multi-layering and memory. Composition portfolio: Commentary | Peters, Nicholas Rayfield |
| 2010 | In order and out of time: Compositions exploring processes, polymeters and balance | Gisby, Steven David |
| 2008 | My dirty stream: Pete Seeger, American folk music and environmental protest | Ingram, D |
| 2009 | Four pieces of music with critical commentary | Holter, Colin Kirkland |
| 2007 | A grounded theory of young tennis players’ use of music to manipulate emotional state | Bishop, DT; Karageorghis, CI; Loizou, G |
| 2007 | Portfolio of orchestra compositions | Rowley, Helen Jane |
| 1999 | Music in sport and exercise: Theory and practice | Karageorghis, CI |
| 1997 | The psychophysical effects of music in sport and exercise: A review | Karageorghis, CI; Terry, PC |
| 2007 | Remembering the future: An overview of co-evolution in musical improvisation | Plans-Casal, D; Morelli, D |
| 2005 | Crickets, myths and magic | Fox, C |
| 2006 | Jazz in British new wave cinema - An interview with Sir John Dankworth | Griffith, FL |
Collection's Items (Sorted by Submit Date in Descending order): 21 to 56 of 56
