Jazz in British new wave cinema - An interview with Sir John Dankworth

Please use this identifier to cite or link to this item: http://bura.brunel.ac.uk/handle/2438/743

Full metadata record

DC Field	Value	Language
dc.contributor.author	Griffith, FL	-
dc.coverage.spatial	16	en
dc.date.accessioned	2007-05-09T11:24:03Z	-
dc.date.available	2007-05-09T11:24:03Z	-
dc.date.issued	2006	-
dc.identifier.citation	Journal of British Cinema and Television 3(2), Nov 2006	en
dc.identifier.uri	http://www.eup.ed.ac.uk/journals/content.aspx?pageId=1&journalId=12153	en
dc.identifier.uri	http://bura.brunel.ac.uk/handle/2438/743	-
dc.description.abstract	Sir John Dankworth, the eminent English composer, conductor, bandleader and jazz musician has written in many genres, including composing over 20 film scores. Of these, Saturday Night and Sunday Morning (1960), The Criminal (1960), The Servant (1963) and Darling (1965) in particular, played a major role in bringing about a new sound in British film during the 1960s. This interview explores Sir John Dankworth's contribution to this innovative Film genre through his jazz-influenced musical scores.	en
dc.format.extent	50993 bytes	-
dc.format.mimetype	application/pdf	-
dc.language.iso	en	-
dc.publisher	Edinburgh University Press	en
dc.subject	Jazz film scores	en
dc.subject	1960s British film	en
dc.title	Jazz in British new wave cinema - An interview with Sir John Dankworth	en
dc.type	Research Paper	en
Appears in Collections:	Music Dept of Arts and Humanities Research Papers

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