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|2014||Opening offer or contractual obligation? On the prescriptive function of notation in music today||Fox, C|
|2014||Collaborative computer music composition and the emergence of the computer music designer||Faia-Harrison, Carl|
|2016||Paradigms, perspectives and participation: reconceptualising amateur orchestras as unique socio-musical communities of practice||Arrowsmith, James Donald|
|2011||Discovering, creating and experiencing notions of theatricality in musical performance||Emfietzis, Grigorios|
|2017||A pluralistic spectrum of the mimetic||Flett, Graham|
|2011||Towards a new aesthetic in contemporary instrumental ensemble, vocal and chamber opera composition||Thompson, Shirley J|