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http://bura.brunel.ac.uk/handle/2438/22987
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DC Field | Value | Language |
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dc.contributor.advisor | Walshe, J | - |
dc.contributor.advisor | Croft, J | - |
dc.contributor.author | Giusti, Vinicius | - |
dc.date.accessioned | 2021-07-26T10:50:34Z | - |
dc.date.available | 2021-07-26T10:50:34Z | - |
dc.date.issued | 2021 | - |
dc.identifier.uri | http://bura.brunel.ac.uk/handle/2438/22987 | - |
dc.description | This thesis was submitted for the award of Doctor of Philosophy and was awarded by Brunel University London | en_US |
dc.description.abstract | The driving idea behind this work is to compose a cycle of pieces by following a composition process in which the personal, individual and everyday life elements of each performer in the process become a fundamental part of the material from which the audio, visual and theatrical elements in each piece are composed. In order to create the pieces in this PhD portfolio, I developed a distributed creative strategy for the composition process, involving western trained musicians and improvisers working in close collaboration with me. The work additionally develops two compositional strategies: (1) to explore the use of live electronics sound transformation as a tool to generate sound material from the interaction between the collaborators and to emphasize the unique sound possibilities of each performance; (2) to experience collaboration with diverse artists and non-artists, in order to open more avenues to think about and analyse the results of the collaborative process. | en_US |
dc.description.sponsorship | CAPES foundation, Ministry of Education of Brazil | en_US |
dc.language.iso | en | en_US |
dc.publisher | Brunel University London | en_US |
dc.relation.uri | https://bura.brunel.ac.uk/bitstream/2438/22987/1/FulltextThesis.pdf | - |
dc.subject | Improvisation | en_US |
dc.subject | Everyday life | en_US |
dc.subject | Distributed creativity | en_US |
dc.subject | Live electronics | en_US |
dc.subject | Collaborative music composition | en_US |
dc.title | Improvisation and everyday life as creative tools for composing music for performers, live electronics and video | en_US |
dc.type | Article | en_US |
Appears in Collections: | Music Dept of Arts and Humanities Theses |
Files in This Item:
File | Description | Size | Format | |
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FulltextThesis.pdf | 943.79 kB | Adobe PDF | View/Open |
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