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Please use this identifier to cite or link to this item: http://bura.brunel.ac.uk/handle/2438/4712

Title: The female bouffon
Authors: Ovalioglu, Nilufer
Advisors: Broadhurst, SM
Keywords: Grotesque
Performance
Women's studies
Theatre
Contemporary art
Publication Date: 2010
Publisher: Brunel University School of Arts PhD Theses
Abstract: This dissertation examines the notion of the female in performance, the latter term applying to occasions that are outside as well as within theatrical venues. I attempt to address the complex and mutually entailed interrelation between the 'normative' as it has, and continues to, govern female behaviour, and those manifestations deemed transgressive of these in some respect. I seek to postulate a conception of the performing female as a phenomenon which owes its force to the presence of both polarities. My preferred term for such a figure is the female bouffon, and after a preliminary definition of associated terms, I discuss the carnivalesque, socially licenced occasions of 'misrule' in pre-modern societies, where norms were temporarily suspended to permit women to 'make a spectacle of themselves'. Some contemporary parallels are furnished. I then address the larger and more discursive issues of the reflexive and self-applied norms of proper female conduct as offered and justified by industrial, scientifically authorized societies. From the above, I turn to the extraordinary creative ferment of the turn of the twentieth century, which witnessed the rebellious re-institution of older performance genres as well as the invention of new ones. I then discuss the associated theatrical theorizing that accompanied this era. After a detailed examination of the work of two contemporary practitioners, who, I consider, gather together past and present themes of bouffonerie in a compelling way, I give examples of my own performance practice, and some analysis of its reciprocal relation with an audience. I conclude with some speculative thoughts as to the future of the bouffonesque female performer.
Description: This thesis was submitted for the degree of Doctor of Philosophy and awarded by Brunel University, 09/12/2010.
URI: http://bura.brunel.ac.uk/handle/2438/4712
Appears in Collections:Theatre
Dept of Arts and Humanities Theses

Files in This Item:

File Description SizeFormat
FulltextThesis.pdfMain article842.67 kBAdobe PDFView/Open
Performance 1 Mirrorland.movPerformance80.88 MBVideo QuicktimeView/Open
Performance 2 Agent Provocateur.movPerformance72.04 MBVideo QuicktimeView/Open
Performance 3 Pigeon Love.movPerformance91.92 MBVideo QuicktimeView/Open
Performance 4 The Period Girl.movPerformance46.85 MBVideo QuicktimeView/Open
Performance 5 Tricks of the Present Tense.movPerformance190.73 MBVideo QuicktimeView/Open
Performance 6 Serene.movPerformance99.62 MBVideo QuicktimeView/Open
Performance 7 Flirt.movPerformance145.64 MBVideo QuicktimeView/Open

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