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DC Field | Value | Language |
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dc.contributor.advisor | Fox, C | - |
dc.contributor.advisor | Birringer, J | - |
dc.contributor.author | Wilkins, Caroline | - |
dc.date.accessioned | 2012-05-16T13:03:31Z | - |
dc.date.available | 2012-05-16T13:03:31Z | - |
dc.date.issued | 2011 | - |
dc.identifier.uri | http://bura.brunel.ac.uk/handle/2438/6438 | - |
dc.description | This thesis was submitted for the degree of Doctor of Philosophy and awarded by Brunel University. | en_US |
dc.description.abstract | The body exists in space and time. It moves through cultural spaces and temporal rhythms. In the combination of instantiated actions and environmental conditions a context is created, this through embodiment. In this thesis I will attempt to link definitions of embodiment with the process of creating and performing new sound theatre works that involve live interaction with media technology. I will also examine terms such as inscription or incorporation and their application to processes of learning and memory within a particular context of inter-disciplinary skills. Finally, in the light of this genre, I will approach the problematic of analytical procedures that change the very parameters of embodied knowledge. The term sound theatre could be defined as a shift of play between music, image and text, incorporating elements such as gesture, choreography, audio and visual technology into a compositional dialogue. However this approach demands a re-examination of the spatial and temporal aspects involved in such inter-activity and their consequent relation to the performer. Taking the starting-point of sound and movement within the body of the performer, my research involves investigations into medial extensions of embodiment that have developed through a discourse with machines. This project takes an essentially practical basis for its research in the form of collaborations with musicians and practitioners of media technology towards a creative product. The result is a series of written compositions, each of which examines a different aspect of sound theatre. The valuable exchange that takes place during such a situation of experimentation becomes equally as important as the final product, providing much of the material framework for issues such as terminology and analytical procedures that concern my investigation. | en_US |
dc.language.iso | en | en_US |
dc.publisher | Brunel University School of Arts PhD Theses | - |
dc.relation.ispartof | School of Arts | - |
dc.relation.uri | http://bura.brunel.ac.uk/bitstream/2438/6438/6/FulltextThesis.pdf | - |
dc.relation.uri | http://bura.brunel.ac.uk/bitstream/2438/6438/5/PPPPPPcomplete.score.pdf | - |
dc.relation.uri | http://bura.brunel.ac.uk/bitstream/2438/6438/4/Interweave-complete.score.pdf | - |
dc.relation.uri | http://bura.brunel.ac.uk/bitstream/2438/6438/3/complete.score%2cZaum-Beyond.Mind.pdf | - |
dc.relation.uri | http://bura.brunel.ac.uk/bitstream/2438/6438/1/complete.score%2cPhonurgia.pdf | - |
dc.subject | Sound theatre | en_US |
dc.subject | Digital instruments | en_US |
dc.subject | Old and new media | en_US |
dc.subject | Object-beings | en_US |
dc.subject | Performative practice | en_US |
dc.title | The instrument in space: The embodiment of music in the machine age | en_US |
dc.type | Thesis | en_US |
Appears in Collections: | Music Dept of Arts and Humanities Theses |
Files in This Item:
File | Description | Size | Format | |
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complete.score,Phonurgia.pdf | 723.4 kB | Adobe PDF | View/Open | |
complete.score,Zaum-Beyond.Mind.pdf | 889.38 kB | Adobe PDF | View/Open | |
Interweave-complete.score.pdf | 902.23 kB | Adobe PDF | View/Open | |
PPPPPPcomplete.score.pdf | 1.26 MB | Adobe PDF | View/Open | |
FulltextThesis.pdf | 2.81 MB | Adobe PDF | View/Open |
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