Browsing by Author Fox, C

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Issue DateTitleAuthor(s)
2001Backward conditioning: A new program specialisation technique and its application to program comprehensionFox, C; Harman, M; Hierons, RM; Danicic, S
2010Block structures, multi-layering and memory. Composition portfolio: CommentaryPeters, Nicholas Rayfield
2014Collaborative computer music composition and the emergence of the computer music designerFaia-Harrison, Carl
2000ConSIT: A conditioned program slicerDanicic, S; Fox, C; Harman, M; Hierons, RM
2005Crickets, myths and magicFox, C
2011Discovering, creating and experiencing notions of theatricality in musical performanceEmfietzis, Grigorios
2016Editorial: Same old?Fox, C
2002Evolutionary testing supported by slicing and transformationHarman, M; Hu, L; Hierons, RM; Fox, C; Danicic, S; Wegener, J; Sthamer, H; Baresel, A
2013Form and freedom: the marriage of musical systems and intuitionGotham, Nicholas
2009Four pieces of music with critical commentaryHolter, Colin Kirkland
2016From virtuoso solo to ensemble operaTafreshipour, Amir Mahyar
2011Hacking traditional instruments: approaches to sound-oriented instrumental compositionMorales Murguía, Hugo
2011The instrument in space: The embodiment of music in the machine ageWilkins, Caroline
2012New sounds and extended composition techniquesOhara, Yuko
2001Node coarsening calculi for program slicingHarman, M; Hierons, RM; Danicic, S; Howroyd, J; Laurence, MR; Fox, C
2012Open, mobile and indeterminate formsDe Bièvre, Guy
2014Opening offer or contractual obligation? On the prescriptive function of notation in music todayFox, C
2011The physicality of sound production on acoustic instrumentsWilliams, Tristan Rhys
2017A pluralistic spectrum of the mimeticFlett, Graham
2015A portfolio of compositions with commentaryMuenz, Harald