Please use this identifier to cite or link to this item:
http://bura.brunel.ac.uk/handle/2438/10704
Full metadata record
DC Field | Value | Language |
---|---|---|
dc.contributor.author | Broadhurst, S | - |
dc.contributor.author | Harvey, N | - |
dc.date.accessioned | 2015-04-30T14:41:03Z | - |
dc.date.available | 2010 | - |
dc.date.available | 2015-04-30T14:41:03Z | - |
dc.date.issued | 2010 | - |
dc.identifier.citation | Body, Space and Technology, 2010, 9 (1) | en_US |
dc.identifier.issn | 1470-9120 | - |
dc.identifier.uri | http://bura.brunel.ac.uk/handle/2438/10704 | - |
dc.description.abstract | The following is an informal reflection on the changing place of nationality and national consciousness in cultural life with reference to last year’s Biennale. Having drawn tentative inferences regarding the roles of these, we offer a selective review of what appear to us to be the most memorable national representations. These in turn suggest a paradoxical benefit which an awareness of localised histories may bring to artistic production. | en_US |
dc.language.iso | en | en_US |
dc.publisher | Body Space and Technology | en_US |
dc.subject | National representations | en_US |
dc.subject | Nationality | en_US |
dc.subject | National consciousness | en_US |
dc.title | Natio et gens: Venice biennale 2009 | en_US |
dc.type | Article | en_US |
dc.relation.isPartOf | Body, Space and Technology | - |
pubs.issue | 1 | - |
pubs.issue | 1 | - |
pubs.volume | 9 | - |
pubs.volume | 9 | - |
Appears in Collections: | Publications |
Files in This Item:
File | Description | Size | Format | |
---|---|---|---|---|
FullText.pdf | 642.41 kB | Adobe PDF | View/Open |
Items in BURA are protected by copyright, with all rights reserved, unless otherwise indicated.