Please use this identifier to cite or link to this item: http://bura.brunel.ac.uk/handle/2438/10858
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dc.contributor.authorKönig, CS-
dc.date.accessioned2015-05-14T10:41:11Z-
dc.date.available2011-03-
dc.date.available2015-05-14T10:41:11Z-
dc.date.issued2011-
dc.identifier.citationCFD Letters, 2011, 3 (1), pp. 1 - 4en_US
dc.identifier.issn2180-1363-
dc.identifier.urihttp://bura.brunel.ac.uk/handle/2438/10858-
dc.description.abstractTypically the words ‘art’ and ‘CFD’ tend to appear in the same sentence only as either ‘the art of using CFD’ or, particularly when conferences and meetings are announced, as ‘state-of- the-art’ CFD. Unquestionably in the latter context the art of good modeling is synonymous for representing reality as close as possible. Certainly this is true for both, numerical and experimental modeling. Color on the other hand is more fundamentally related with both, art and CFD. Indeed in the 1980s CFD was often nicknamed as ‘colored fluid dynamics’ as color was largely absent from experimental techniques at the time.en_US
dc.format.extent1 - 4-
dc.languageeng-
dc.language.isoenen_US
dc.subjectArten_US
dc.subjectCFDen_US
dc.subjectModelingen_US
dc.titleArt and color in the context of CFD: Towards a better engineering designen_US
dc.typeArticleen_US
dc.relation.isPartOfCFD Letters-
pubs.issue1-
pubs.issue1-
pubs.volume3-
pubs.volume3-
Appears in Collections:Dept of Electronic and Electrical Engineering Research Papers

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