Please use this identifier to cite or link to this item: http://bura.brunel.ac.uk/handle/2438/12555
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dc.contributor.authorLeahy, W-
dc.date.accessioned2016-04-21T09:40:42Z-
dc.date.available2016-
dc.date.available2016-04-21T09:40:42Z-
dc.date.issued2016-
dc.identifier.citationJournal of Early Modern Studies, 5, (21): pp. 31 - 52, (2016)en_US
dc.identifier.issn2279-7149-
dc.identifier.urihttp://www.fupress.net/index.php/bsfm-jems/article/view/18081-
dc.identifier.urihttp://bura.brunel.ac.uk/handle/2438/12555-
dc.description.abstractShakespearean biography has a long and colourful history, with a new edition of the life of the world’s greatest ever poet published at least once a year. Yet, the records are hardly full with details of his life and are indeed almost non-existent with regard to his writing life. If this is the case, then what are these various biographies made up of? What are they constituted by given that, it seems, their basic foundations are absent? This essay considers these questions in the context of the most important intervention in the field of Shakespearean biography in recent years, Brian Cummings’ essay ‘Shakespeare, Biography and Anti-Biography’. The conclusion it reaches is that the entire sub-genre can be regarded as ‘the dreamscape of nostalgia’, constituted by works of fictional narcissism.en_US
dc.format.extent31 - 52 (21)-
dc.languageEnglish-
dc.language.isoenen_US
dc.publisherFirenze University Pressen_US
dc.subjectShakespeareen_US
dc.subjectBiographyen_US
dc.subjectNarcissismen_US
dc.titleThe dreamscape of nostalgia: Shakespearean biography: Too much information (but not about Shakespeare)en_US
dc.typeArticleen_US
dc.identifier.doihttp://dx.doi.org/10.13128/JEMS-2279-7149-18081-
dc.relation.isPartOfJournal of Early Modern Studies-
pubs.publication-statusPublished-
pubs.volume5-
Appears in Collections:Dept of Electronic and Electrical Engineering Research Papers

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