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Issue Date | Title | Author(s) |
---|---|---|
2006 | Andrea Brady Poetry Recordings 3 | Brady, A |
2012 | Adapting musicology's use of affect theories to contemporary theatre making: Directing Martin Crimp's attempts on her life | Campbell, A |
2010 | Moveable worlds/digital scenographies | Birringer, J |
2012 | This progressive production: Agency, durability and keeping it contemporary | Richards, M |
2011 | Clubbing masculinities: Gender shifts in gay men's dance floor choreographies | Peterson, GT |
2014 | The Parting Pelvis: Temporality, Sexuality, and Indian Womanhood in Chandralekha's Sharira (2001) | Mitra, R |
2013 | Combining musical identities through composition and improvisation | Perks, Richard |
2013 | Bauhaus, constructivism, performance | Birringer, J |
2014 | Traumagical realism and the re-creation process: subversive commun(e)ication of the traumatic in theatre and performance | Macias-Gutierrez, Elizabeth |
2005 | Andrea Brady Poetry Recordings | Brady, A |
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