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Issue Date | Title | Author(s) |
1997 | The psychophysical effects of music in sport and exercise: A review | Karageorghis, CI; Terry, PC |
1999 | Music in sport and exercise: Theory and practice | Karageorghis, CI |
2005 | Crickets, myths and magic | Fox, C |
2006 | Jazz in British new wave cinema - An interview with Sir John Dankworth | Griffith, FL |
2007 | A grounded theory of young tennis players’ use of music to manipulate emotional state | Bishop, DT; Karageorghis, CI; Loizou, G |
2007 | Remembering the future: An overview of co-evolution in musical improvisation | Plans-Casal, D; Morelli, D |
2007 | Portfolio of orchestra compositions | Rowley, Helen Jane |
2007 | The invisible artist: Arrangers in popular music (1950-2000): Their contribution and techniques | Niles, Richard |
2008 | My dirty stream: Pete Seeger, American folk music and environmental protest | Ingram, D |
2008 | The psychological, psychophysical and ergogenic effects of music in sport: A review and synthesis | Karageorghis, CI; Terry, PC |
2009 | Four pieces of music with critical commentary | Holter, Colin Kirkland |
2010 | CuDAS: An interactive curriculum combining pedagogic composition with interactive software for the teaching of music technology | Leaman, Oliver |
2010 | Metonymy as a creative structural principle in the work of J.H. Prynne, Derek Bailey and Helmut Lachenmann with a creative component | Lash, Dominic |
2010 | Interacting with the piano | Nicolls, Sarah Louise |
2010 | Seeking out the spaces between: Using improvisation for collaborative composition and interactive technology | Nicolls, S |
2010 | In order and out of time: Compositions exploring processes, polymeters and balance | Gisby, Steven David |
2010 | Block structures, multi-layering and memory. Composition portfolio: Commentary | Peters, Nicholas Rayfield |
2010 | The creative symbiosis of composer and performer (An examination of collaborative practice in partially improvised works) | Melvin, Andrew |
2010 | Dirty light: The application of musical principles to the organisation of light as an extension of musical expression into the non-figurative visual realm | Ciciliani-Stiglmayer, Marko |
2011 | Reworking musical strategies in the digital age | Reuben Paris, Federico |