Please use this identifier to cite or link to this item: http://bura.brunel.ac.uk/handle/2438/32900
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dc.contributor.authorRugo, D-
dc.contributor.authorCarbone, MB-
dc.date.accessioned2026-02-26T15:27:16Z-
dc.date.available2026-02-26T15:27:16Z-
dc.date.issued2026-02-20-
dc.identifier.citationRugo D. and Carbone, M.B. (2026) 'Mapping Decolonial Cinema', Cinéma & Cie. Film and Media Studies Journal, 25 (44), pp. 9–15. doi: 10.54103/2036-461x/30710.en_US
dc.identifier.issn2035-5270-
dc.identifier.urihttps://bura.brunel.ac.uk/handle/2438/32900-
dc.description.abstractThe articles that animate this special issue aim to map and investigate decolonial practices in cinematic worlds from the Global South. Whilst the scope is for obvious reasons limited to only few practices and context, this approach emphasises the potential of these cinemas to resist hegemonic filmic (and more generally cultural) forms and to move beyond thematic concerns, formal strategies and industrial frameworks generated and sanctioned in the Global North. ...en_US
dc.format.extent9–15-
dc.format.mediumPrint-Electronic-
dc.language.isoenen_US
dc.publisherMilano University Pressen_US
dc.rightsCreative Commons Attribution 4.0 International-
dc.rights.urihttps://creativecommons.org/licenses/by/4.0/-
dc.subjectdecolonial film theoryen_US
dc.subjectthird cinemaen_US
dc.subjectresistanceen_US
dc.subjectcolonialityen_US
dc.subjectdelinkingsen_US
dc.titleMapping Decolonial Cinemaen_US
dc.typeArticleen_US
dc.identifier.doihttps://doi.org/10.54103/2036-461x/30710-
dc.relation.isPartOfCinéma & Cie. Film and Media Studies Journal-
pubs.issue44-
pubs.publication-statusPublished-
pubs.volume25-
dc.identifier.eissn2036-461X-
dc.rights.licensehttps://creativecommons.org/licenses/by/4.0/legalcode.en-
dc.rights.holderDaniele Rugo, Marco Benoît Carbone-
dc.contributor.orcidRugo, Daniele 0000-0001-8606-9524[]-
dc.contributor.orcidCarbone, Marco Benoît [0000-0002-0037-0883]-
Appears in Collections:Department of Arts and Humanities Research Papers *

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