Please use this identifier to cite or link to this item: http://bura.brunel.ac.uk/handle/2438/33351
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dc.contributor.authorDornan, I-
dc.contributor.authorMaples, H-
dc.date.accessioned2026-06-01T10:53:06Z-
dc.date.available2026-06-01T10:53:06Z-
dc.date.issued2026-
dc.identifierORCiD: Inge Dornan https://orcid.org/0000-0003-2483-6868-
dc.identifier.citationDornan, I and Maples, H. (2026) 'Breaking the Silence: Site-Specific Performance as Radical Peacebuilding in Postcolonial Britain', Critical Stages/Scènes Critiques, 0 (accepted, in press)en_US
dc.identifier.urihttps://bura.brunel.ac.uk/handle/2438/33351-
dc.description...en_US
dc.description.abstract...en_US
dc.description.sponsorship...en_US
dc.format.extentpp. 1–18-
dc.format.mediumElectronic-
dc.language.isoen_USen_US
dc.publisherInternational Association of Theatre Critics (IATC)en_US
dc.titleBreaking the Silence: Site-Specific Performance as Radical Peacebuilding in Postcolonial Britainen_US
dc.typeArticleen_US
dc.relation.isPartOfCritical Stages/Scènes critiques-
pubs.publication-statusAccepted-
pubs.volume00-
dc.contributor.orcidDornan, Inge [0000-0003-2483-6868]-
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