Please use this identifier to cite or link to this item: https://bura.brunel.ac.uk/handle/2438/33801
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dc.contributor.authorDétári, Anna-
dc.contributor.authorDawson, Georgia-
dc.contributor.authorBallam, Lydia-
dc.contributor.authorChapman, Alex-
dc.contributor.authorRedelinghys, James-
dc.contributor.authorBaines, Emily-
dc.contributor.authorFurniss, Pete-
dc.contributor.authorHugill, Andrew-
dc.contributor.authorHeaton, Pamela-
dc.date.accessioned2026-09-01T13:59:32Z-
dc.date.available2026-09-01T13:59:32Z-
dc.date.issued2026-04-04-
dc.identifier.citationDétári, A. et al. (2026) 'The Neurodivergent Musician: A Methodology Report on A Participatory Action Research Study', Neurodiversity, 4, pp. 1–13. doi: 10.1177/27546330261434045.en_GB
dc.identifier.issn2754-6330-
dc.identifier.urihttps://bura.brunel.ac.uk/handle/2438/33801-
dc.description.abstractAccording to estimates, the prevalence of various forms of neurodivergence is much higher among musicians than in the general population. Despite this fact, we know very little about the lived experiences of neurodivergent (ND) musicians in professional settings, such as educational institutions and places of employment. The lack of information leads to a lack of understanding, appropriate support, and inclusion of ND personnel in these spaces; therefore, it is crucial to gather accurate information directly from the population. A Participatory Action Research (PAR) study was planned and organised by ND musicians, which consisted of an in-person event and online follow-up conversations, where members of the community (ND musicians, music educators, music researchers, and neurotypical allies) were invited to discuss various aspects of their vocational education and professional lives. In alignment with the guiding principles of PAR, all participants were invited to contribute to the outputs to ensure their autonomy and utilise their unique expertise to the fullest. Given the quantity and richness of the data and the limited space, detailed discussions about the findings will be published separately. Here, we opted to focus on the methodological approach and procedure to provide a template for using PAR with adult ND communities.en_GB
dc.description.sponsorshipThe authors received no financial support for the research, authorship, and/or publication of this article.en_GB
dc.format.extentpp. 1–13-
dc.format.mediumPrint-Electronic-
dc.languageEnglishen_GB
dc.language.isoenen_GB
dc.publisherSAGE Publicationsen_GB
dc.rightsRe-use licence for this version: CC BY-NC-
dc.rightsLicence for published version: CC BY-NC-
dc.rights.urihttps://creativecommons.org/licenses/by-nc/4.0/-
dc.subjectneurodiversityen_GB
dc.subjectneurodivergent musiciansen_GB
dc.subjectparticipatory action researchen_GB
dc.subjectmethodological reporten_GB
dc.subjectmusicianshipen_GB
dc.titleThe Neurodivergent Musician: A Methodology Report on A Participatory Action Research Studyen_GB
dc.typeArticleen_GB
dc.date.dateAccepted2026-03-01-
dc.identifier.doihttps://doi.org/10.1177/27546330261434045-
dc.relation.isPartOfNeurodiversityen_GB
pubs.publication-statusPublished-
pubs.volume4-
dc.identifier.eissn2754-6330-
dc.rights.licensehttps://creativecommons.org/licenses/by-nc/4.0/legalcode.en-
dcterms.dateAccepted2026-03-01-
dcterms.issued2026-04-04-
dc.date.updated2026-09-01T13:52:26Z-
dc.rights.holderThe Author(s)-
dc.contributor.orcidDétári, Anna [0000-0002-5662-8230]-
dc.contributor.orcidDawson, Georgia [0009-0001-9761-5540]-
dc.contributor.orcidChapman, Alex [0009-0000-9734-4923]-
dc.contributor.orcidBaines, Emily [0000-0002-0830-926X]-
dc.contributor.orcidFurniss, Pete [0000-0002-4786-1663]-
dc.contributor.orcidHeaton, Pamela [0000-0002-6299-0295]-
dc.identifier.number27546330261434045-
Appears in Collections:Department of Arts and Humanities Research Papers *

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