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|2014||Audience affirmation and the labour of professional wrestling||Chow, BDV; Laine, E|
|2014||An actor manages: Actor training and managerial ideology||Chow, BDV|
|2014||Here is a story for me: Representation and visibility in Miss Saigon and The Orphan of Zhao||Chow, BDV|
|2014||Žižek and Performance||Chow, BDV; Mangold, A|
|2018||Feeling in Counterpoint: Complicit Spectatorship and the Filipino Performing Body||Chow, BDV|
|2018||Every Little Thing He Does: Entrepreneurship and Appropriation in the Magic Mike Series||Chow, BDV|
|2014||Work and shoot: Professional wrestling and embodied politics||Chow, BDV|