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Please use this identifier to cite or link to this item:
http://bura.brunel.ac.uk/handle/2438/10793Full metadata record
| DC Field | Value | Language |
|---|---|---|
| dc.contributor.author | Broadhurst, S | - |
| dc.date.accessioned | 2015-05-11T08:53:06Z | - |
| dc.date.available | 2001-06 | - |
| dc.date.available | 2015-05-11T08:53:06Z | - |
| dc.date.issued | 2001 | - |
| dc.identifier.citation | Body, Space and Technology, 2001, (Online) | en_US |
| dc.identifier.issn | 1470-9120 | - |
| dc.identifier.uri | http://bura.brunel.ac.uk/handle/2438/10793 | - |
| dc.description.abstract | As a result of new technological advancements in performance practice, I am arguing that new liminal spaces exist where there is a potential for a reconfiguration of creativity and experimentation in performance practice. | en_US |
| dc.language.iso | en | en_US |
| dc.publisher | Brunel University | en_US |
| dc.subject | Performance | en_US |
| dc.subject | Liminal Spaces | en_US |
| dc.subject | Creativity | en_US |
| dc.subject | Experimentation | en_US |
| dc.title | Interaction, reaction and performance: The human body tracking project | en_US |
| dc.type | Article | en_US |
| dc.relation.isPartOf | Body, Space and Technology | - |
| pubs.issue | Online | - |
| pubs.issue | Online | - |
| Appears in Collections: | Dept of Arts and Humanities Research Papers | |
Files in This Item:
| File | Description | Size | Format | |
|---|---|---|---|---|
| Notice.pdf | 36.5 kB | Adobe PDF | View/Open |
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