Please use this identifier to cite or link to this item:
http://bura.brunel.ac.uk/handle/2438/11604| Title: | The Male Dancer: Spectacle, Bodies, Sexuality by Ramsay Burt. |
| Authors: | Peterson, GT |
| Keywords: | Book Review |
| Issue Date: | 2009 |
| Publisher: | Royal Holloway, University of London |
| Citation: | Platform: Postgraduate Journal of Theatre & Performing Arts, 4 (1), 2009 |
| Abstract: | Euripides’ Herakles is a structurally challenging play, with a family-in-peril first movement that seems to be resolved by the timely return of a triumphant Herakles. This comfortingly predictable narrative is shattered by the appearance of Iris (Hera’s vengeful emissary) and Lyssa (‘frenzy’), who transform the returned Herakles into a crazed, delusional killer who murders his own wife and children. |
| URI: | https://pure.royalholloway.ac.uk/portal/en/publications/the-male-dancer-spectacle-bodies-sexuality-by-ramsay-burt(07cbe684-4c70-4239-b8ed-814336057d21).html http://bura.brunel.ac.uk/handle/2438/11604 |
| Appears in Collections: | Dept of Arts and Humanities Research Papers |
Files in This Item:
| File | Description | Size | Format | |
|---|---|---|---|---|
| Fulltext.pdf | 162.01 kB | Adobe PDF | View/Open |
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