Differences of kind and degree: Articulations of independence in American cinema

Please use this identifier to cite or link to this item: http://bura.brunel.ac.uk/handle/2438/11910

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DC Field	Value	Language
dc.contributor.author	King, GR	-
dc.contributor.editor	Bennett, J	-
dc.contributor.editor	Strange, N	-
dc.date.accessioned	2016-01-25T11:23:33Z	-
dc.date.available	2015	-
dc.date.available	2016-01-25T11:23:33Z	-
dc.date.issued	2015	-
dc.identifier.citation	Media independence: Working with freedom or working for free?, Editors: Bennett J, Strange N . pp. 52-70. Routledge, New York and London (2015)	en_US
dc.identifier.isbn	978-1-138-02348-2	-
dc.identifier.uri	https://www.routledge.com/products/9781138023482	-
dc.identifier.uri	http://bura.brunel.ac.uk/handle/2438/11910	-
dc.description.abstract	If “independent” is always a relational term – implying independent of something, more or less specific – it is also often a relative quality rather than one that entails absolutely or clear-cut distinctions between one thing and another. As far as American cinema is concerned, the object in relation to which independence is defined is usually clear and quite easily identified: Hollywood.	en_US
dc.format.extent	52 - 70	-
dc.language.iso	en	en_US
dc.publisher	Routledge	en_US
dc.subject	American	en_US
dc.subject	Cinema	en_US
dc.title	Differences of kind and degree: Articulations of independence in American cinema	en_US
dc.type	Book chapter	en_US
dc.relation.isPartOf	Media Independence: Working with Freedom or Working for Free?	-
pubs.place-of-publication	New York and London	-
pubs.publication-status	Published	-
pubs.publication-status	Published	-
Appears in Collections:	Dept of Social and Political Sciences Research Papers

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