Please use this identifier to cite or link to this item:
Title: Asghar Farhadi: Acknowledging Hybrid Traditions: Iran, Hollywood and Transnational Cinema
Authors: Rugo, D
Publisher: Taylor & Francis
Citation: Third Text
Abstract: Post-revolutionary Iranian cinema has been praised for its emotional immediacy and compositional simplicity. The work of Asghar Farhadi stands as an exception to this canon. His films focus on domestic conflicts and cultural contradictions in urban life and are marked by emotional complexity and intricate narrative structures. Focusing on these characteristics, critics have stressed his proximity to mainstream American cinema. The article analyses this proximity by discussing the thematic parallels that Farhadi's work enjoys with classical Hollywood films, as conceptualised by philosopher Stanley Cavell. The article explores the limit of this approach by connecting Farhadi's films to pre-revolutionary Iranian cinema, a body of work that, despite the little attention it has received, can nonetheless provide significant insights into Farhadi's oeuvre to date, whilst bringing to the fore the heterogeneous tradition of Iranian cinema.
ISSN: 1475-5297
Appears in Collections:Dept of Social Sciences Media and Communications Research Papers

Files in This Item:
File Description SizeFormat 
FullText.pdf2.04 MBAdobe PDFView/Open

Items in BURA are protected by copyright, with all rights reserved, unless otherwise indicated.