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DC Field | Value | Language |
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dc.contributor.author | Broadhurst, S | - |
dc.date.accessioned | 2018-05-16T11:25:37Z | - |
dc.date.available | 2018-04-09 | - |
dc.date.available | 2018-05-16T11:25:37Z | - |
dc.date.issued | 2018 | - |
dc.identifier.citation | Broadhurst, S. (2018) 'Hybridised Performance: Disruption and Deferment in Wagner’s Tristan and Isolde', Body, Space and Technology, 17, pp. 95 - 117 (22). doi: 10.16995/bst.298. | en_US |
dc.identifier.uri | https://bura.brunel.ac.uk/handle/2438/16191 | - |
dc.description.abstract | The following focusses on aspects of hybridised multi-layered performance as seen in Wagner’s Tristan and Isolde, recently in a new production at the English National Opera (ENO). The notion of Wagner’s, ‘Gessamtkunstwerk’ (his own spelling) is particularly relevant, as are the influences of Schopenhauer’s ‘Philosophy of Pessimism’ and to a lesser extent Nietzsche’s apologias. There are nuances within music and libretto which invoke all of these in the work’s treatment of Liebestod, self-immolating romantic passion. This production was conducted by Edward Gardner, directed by Daniel Kramer, and designed by Anish Kapoor with digital assistance from Frieder Weiss. | - |
dc.format.extent | 95 - 117 (22) | - |
dc.rights | This is an Open Access article distributed under the terms of the Creative Commons Attribution 4.0 license (unless stated otherwise) which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited. Copyright is retained by the author(s) | - |
dc.rights.uri | https://creativecommons.org/licenses/by/4.0 | - |
dc.subject | Tristan and Isolde | - |
dc.subject | hybridity | - |
dc.subject | multi-layeredness | - |
dc.subject | heterogeneity | - |
dc.subject | Richard Wagner | - |
dc.subject | Gesamtkunstwerk | - |
dc.subject | ‘total art-work’ | - |
dc.subject | Schopenhauer | - |
dc.subject | Nietzsche | - |
dc.subject | music-drama | - |
dc.subject | synaesthesia | - |
dc.subject | Liebestod | - |
dc.subject | ‘Tristan Chord’ | - |
dc.title | Hybridised Performance: Disruption and Deferment in Wagner’s Tristan and Isolde | en_US |
dc.identifier.doi | https://doi.org/10.16995/bst.298 | - |
dc.relation.isPartOf | Body, Space and Technology | - |
pubs.publication-status | Published | - |
pubs.volume | 17 | - |
dc.identifier.eissn | 1470-9120 | - |
Appears in Collections: | Dept of Arts and Humanities Research Papers |
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