Please use this identifier to cite or link to this item:
Full metadata record
DC FieldValueLanguage
dc.contributor.advisorWayne, M-
dc.contributor.advisorKind, G-
dc.contributor.authorSadeghi-Esfahlani, Asefeh-
dc.descriptionThis thesis was submitted for the award of Doctor of Philosophy and was awarded by Brunel University Londonen_US
dc.description.abstractThis project examines the cinematic representation of hegemonic spaces in the films produced in Iran during the 1960s and 1970s. It argues that, unlike other historiographies in this field, it is possible to observe the effects of the capitalist mode of production in the cinematic production of hegemonic spaces. The thesis draws on Gramsci, Williams and other Marxist theorists to situate cinematic representations in their social and historical context. Also, this project discusses the historical blocs in that period, the role of organic intellectuals in the production of counter-hegemonic currents and the transformation of the subaltern and its cinematic representation in the film production of the aforementioned period. In this way, the representation of hegemonic spaces such as work places, farms, medical centers, schools, etc., according to the various types of cinematic frameworks, is critically examined. The project traces in films the significant transformation of hegemonic processes of incorporation from residual and alternative practices (considering Raymond Williams’s terminology) in the 1960s to emergent and oppositional practices in the 1970s.en_US
dc.publisherBrunel University Londonen_US
dc.subjectPopular cinemaen_US
dc.subjectPolitical cinemaen_US
dc.subjectWhite revolutionen_US
dc.subjectStructure of feelingen_US
dc.subjectHistorical blocen_US
dc.titleAn investigation into the cinematic representation of hegemonic spaces in 1960s and 1970s Iranian Rural Filmsen_US
Appears in Collections:Media
Dept of Arts and Humanities Theses

Files in This Item:
File Description SizeFormat 
FulltextThesis.pdf5.38 MBAdobe PDFView/Open

Items in BURA are protected by copyright, with all rights reserved, unless otherwise indicated.