Collection's Items (Sorted by Submit Date in Descending order): 1 to 50 of 152
| Issue Date | Title | Author(s) |
| 2024 | The actor, the audience and the spy: Tracing actor training methodologies within twentieth century espionage practice and performance | Sobel, Ariel Whitfield |
| 2024 | LIE scales: Composing with scales of linear intervallic expansion | Bizzell-Browning, Nicholas John |
| 2024 | Time lines: Prison, coercion and liberation through poetry with critical commentary | Williams, Zoe |
| 2024 | Illuminating the dark side of fairy tales | Okoroafor, Chinyere |
| 2023 | Female agency in Egyptian cinema 1990s - 2023 | Nouasri, Alaa Belkis |
| 2023 | Designing a framework for VR mechanics that elicit targeted emotions | Mallary, Adriana Leigh |
| 2022 | There’s something wrong with JJ & stigma & ‘madness’: Understanding the development of mental health themes in young adult literature and the impact upon the novelist’s creative process | Clark, Brady Robert |
| 2023 | A critical review of four novels: The Lamplighters (2011): The Jack in the Green (2013); The Skintaker (2015); Hearthstone Cottage (2019) | Lee, Frazer |
| 2022 | Relational autonomy and interdependent selves in the fiction of Naomi Mitchison and Doris Lessing | Boskani, Shene |
| 2022 | The pretenders and why do you want to know? Writing a memoir in the face of intergenerational trauma: A reflective thesis | Liauw, Franchesca Giselle |
| 2021 | (Un)Belonging, affect and gender in a selection of contemporary British South Asian women’s novels by Sunetra Gupta, Meera Syal, Monica Ali, and Rekha Waheed | Hamed, Yaser |
| 2022 | The shadow myth – a novel & hero’s bias: developing fantasy villains outside of the perspective of the protagonist | Kuiper, Eleane Willemine |
| 2022 | Dead in the long room | Green, Andrew |
| 2021 | Performing the self(ie): performance studies, selfies and feminist identities | Hampton, Claire |
| 2022 | ‘One of us’ - depictions of Margaret Thatcher in British fiction 1979-2020: a Kristevan reading | Iliou, Raluca-Eugenia |
| 2021 | The British aleatory novel, 1959 - 1979 | Jenner, Sebastian Marc |
| 2022 | Dracula on film: A psychohistoricist study | Walden, Steven J |
| 2022 | The transposition of third meaning discourse from analogue to digital cinema | Stone, Ian P. |
| 2020 | A clockwork heart: The neuroscience of writing fiction – A new approach | Schwarz, Liesel |
| 2021 | Techno-choreography and the embodiment of Chineseness | Xu, Zhi |
| 2021 | The Computer Music Designer in the context of physical computing and interactive instrument design | Gourtani, Ardeshir M. |
| 2021 | Points for Departures | London, Matt |
| 2021 | Improvisation and everyday life as creative tools for composing music for performers, live electronics and video | Giusti, Vinicius |
| 2021 | Once upon a time in Soweto: South African literature, the writers, their works, and censorship | Ncube, Tryphine Simephi |
| 2020 | “The guy that hangs around with the musicians” : Exploring the relationship of pitched percussion to the rock band and the traditions of the rock drummer | Atherton, Tom |
| 2020 | Between site-specificity and landscape in video art | Ho, Yuda |
| 2020 | The vocalization of the drum kit: An evolutive approach to a dynamic drumming style driven by sound phrases and evolving gestures | Fellay, Christophe |
| 2020 | Under the skin of men | Niazi, Siamak |
| 2020 | Representations of care-experienced children in contemporary British fiction | Edwards-Capes, Kirsty |
| 2020 | Returning to Roissy: female submission and masochism in story of o and its adaptations | Taylor-Harman, Sarah |
| 2020 | The stranger left no card: a critical analysis of Wendy Toye’s work as a woman director in British cinema and television | Qureshi, Iram Kamran |
| 2020 | The Economies of Anime: Anime as a soft power, a cultural product and a (trans)national medium | Onemu, Uyoyo |
| 2020 | Fragmented Identities in selected novels by V.S. Naipaul and Toni Morrison: a postcolonial comparative approach | Mohamed Mohamed Ahmed, Alshaymaa |
| 2020 | …a settling stillness, weighted dust… A portfolio of original compositions and commentary | Cave, Samuel Charles |
| 2019 | Mimetic rivalry in shared virtual environments: A study of conflict and imitation in World of Warcraft | Goren, Eli |
| 2019 | Mailer‘s ghost: the record of a career | Forss, Alexis Wiktor |
| 2019 | Ecstatic Space: NEO-KUT and shamanic technologies | - |
| 2019 | An investigation into the cinematic representation of hegemonic spaces in 1960s and 1970s Iranian Rural Films | Sadeghi-Esfahlani, Asefeh |
| 2019 | Quantum Music – Towards a unified aesthetic | Bell, Adam |
| 2019 | A new framework for rethinking love between women: the development of lesbian narrative in Irish women’s writing, 1801 – 2017 | Charczun, Anna |
| 2019 | An existentialist frame for singing and singing teaching | Clethero, Sara |
| 2019 | Performing agonism: democracy in crisis and the project of autonomy in art’s social turn | Makka, Louiza |
| 2018 | Wonder, grain, silence and notation: Commentary on a portfolio of compositions | Brignall, Oliver |
| 2018 | Re-reading women’s patronage: The Cavendish/Talbot/Ogle Circle | Wheeler, Collette |
| 2017 | Introducing neo-surrealism: The social science of performance art | Puentes, Kalid |
| 2018 | The return to Darwin in the contemporary British novel: An evolutionary response to postmodernism and social constructivism | Abdulwahab, Hussain |
| 2018 | A critical reflection on the conceptual and legal foundations of the duty to prevent torture | Renzulli, I |
| 2018 | If self-publishing represents a vital, resistive addition to the literary field due to its democratisation of the publishing process and, crucially, the manner in which it empowers new authorial voices and character representation, what are the implications for high fantasy authors and the publishing industry? | Dillon-Lee, Faith |
| 2017 | A pluralistic spectrum of the mimetic | Flett, Graham |
| 2017 | Sangoma boy | Penny, Sarah |
Collection's Items (Sorted by Submit Date in Descending order): 1 to 50 of 152
