Please use this identifier to cite or link to this item: http://bura.brunel.ac.uk/handle/2438/19438
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dc.contributor.authorCoggins, O-
dc.date.accessioned2019-10-29T12:27:33Z-
dc.date.available2016-09-01-
dc.date.available2019-10-29T12:27:33Z-
dc.date.issued2016-09-01-
dc.identifier.citationMetal Music Studies, 2016, 2 (3), pp. 291 - 309en_US
dc.identifier.issn2052-3998-
dc.identifier.urihttps://bura.brunel.ac.uk/handle/2438/19438-
dc.format.extent291 - 309-
dc.languageen-
dc.language.isoenen_US
dc.publisherIntellecten_US
dc.subjectconstellation;en_US
dc.subjectdiscourse;en_US
dc.subjectdrone;en_US
dc.subjectexperience;en_US
dc.subjectgenre;en_US
dc.subjectreceptionen_US
dc.title‘Record store guy’s head explodes and the critic is speechless!’ Questions of genre in drone metalen_US
dc.typeArticleen_US
dc.identifier.doihttps://doi.org/10.1386/mms.2.3.291_1-
dc.relation.isPartOfMetal Music Studies-
pubs.issue3-
pubs.publication-statusPublished-
pubs.volume2-
Appears in Collections:Dept of Politics, History and Law Research Papers

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