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Collection's Items (Sorted by Submit Date in Descending order): 1 to 44 of 44
Issue DateTitleAuthor(s)
2021Performing the self(ie): performance studies, selfies and feminist identitiesHampton, Claire
2021Techno-choreography and the embodiment of ChinesenessXu, Zhi
2019Ecstatic Space: NEO-KUT and shamanic technologies-
2019Performing agonism: democracy in crisis and the project of autonomy in art’s social turnMakka, Louiza
2017The performance of breathlessness on the pageWorden, Jessica
2014The theatre and its screen doubleBirringer, J
2014Traumagical realism and the re-creation process: subversive commun(e)ication of the traumatic in theatre and performanceMacias-Gutierrez, Elizabeth
2014The Parting Pelvis: Temporality, Sexuality, and Indian Womanhood in Chandralekha's Sharira (2001)Mitra, R
2010Moveable worlds/digital scenographiesBirringer, J
2012This progressive production: Agency, durability and keeping it contemporaryRichards, M
2011Material agency and performative dynamics in the practices of media artTränkle, Marion
2011Clubbing masculinities: Gender shifts in gay men's dance floor choreographiesPeterson, GT
2009Akram Khan re-writes ‘Radha’: The ‘hypervisible’ cultural identity in Kylie Minogue’s ‘Showgirl’Mitra, R
2012Einstein on the beach: A study in temporalityBroadhurst, S
2012Merleau-Ponty and neuroaesthetics: Two approaches to performance and technologyBroadhurst, S
2013Bauhaus, constructivism, performanceBirringer, J
2012Noise poetics: A flow of cutsJones, Nathan
2012Looking at sound / listening to imageKolsoe Ágústsdóttir, Hallveig Guony
2013Combining musical identities through composition and improvisationPerks, Richard
2013Acting Brackets (from notes on directing Leslie Scalapino's Flow (Winged Crocodile) / The Trains)Templeton, F
2013The role of imagination in Bergman, Klein and SartreWilliams, Daniel
2002Aspects of style and design in the Missa L'homme Armé tradition c. 1450-c. 1500Walters, Keith John
2012Acting theory as poetic of drama: A study of the emergence of the concept of 'motivated action' in playwriting theoryFerreira de Mendonça, Guilherme Abel
2013Bodies and labour: industrialisation, dance and performanceMcColl, Jennifer
2012Adapting musicology's use of affect theories to contemporary theatre making: Directing Martin Crimp's attempts on her lifeCampbell, A
2001Documenting the making processFreeman, John
2001Physical dance performance: An investigation into the development of a performance technique based on the integration of certain Korean dance technique and contemporary Western styles of dance and physical theatreKim, Sang Kyung
2010The female bouffonOvalioglu, Nilufer
2010The Circulari ProjectSchiller, G
2010Joining forces: engineering and arts students get physic(al) – problem solving strategies in the trans-school projectRichards, M
2009Language makes itself come true: Introduction to John Jesurun - Deep sleep, White water, Black maria - A media trilogyTempleton, F
2010Speaking for performance / writing with the voiceTempleton, F
2008Specular suffering: (staging) the body in painRichards, M
2009Physical theatre as an approach to contemporary stagings of classical Greek tragedyMoschochoriti, Rubini
2003Dead east, dead westBroadhurst, SM
2005Bioart: Transgenic art and recombinant theatreBroadhurst, SM
2008Troika ranch: Making new connections a Deleuzian approach to performance and technologyBroadhurst, SM
2006Digital practices: An aesthetic and neuroesthetic approach to virtuality and embodimentBroadhurst, SM
2004The Jeremiah project: Interaction, reaction, and performanceBroadhurst, SM
2008Hollywood cinema and climate change: The day after tomorrowIngram, D
2005The telematic dress: Evolving garments and distributed proprioception in streaming media and fashion performanceBirringer, J; Danjoux, M
2006Andrea Brady Poetry Recordings 3Brady, A
2005Angela Brady Poetry Recordings 2Brady, A
2005Andrea Brady Poetry RecordingsBrady, A
Collection's Items (Sorted by Submit Date in Descending order): 1 to 44 of 44