EMI Films and the Limits of British Cinema

Please use this identifier to cite or link to this item: http://bura.brunel.ac.uk/handle/2438/20619

Full metadata record

DC Field	Value	Language
dc.contributor.author	Moody, P	-
dc.contributor.editor	Moody, P	-
dc.date.accessioned	2020-04-02T17:43:12Z	-
dc.date.available	2018-11-08	-
dc.date.available	2020-04-02T17:43:12Z	-
dc.date.issued	2018-10-19	-
dc.identifier.citation	Moody, P. (ed.) (2018) EMI Films and the Limits of British Cinema. United Kingdom: Palgrave Macmillan.	en_US
dc.identifier.isbn	3319948024	-
dc.identifier.isbn	9783319948027	-
dc.identifier.uri	http://bura.brunel.ac.uk/handle/2438/20619	-
dc.format.extent	11	-
dc.format.extent	1 - 232 (232)	-
dc.language	English	-
dc.language.iso	en	en_US
dc.publisher	Palgrave Macmillan	en_US
dc.subject	Transnational cinema	en_US
dc.subject	Elstree Studios	en_US
dc.subject	1970s	en_US
dc.subject	National culture	en_US
dc.subject	Cinema	en_US
dc.subject	Drama	en_US
dc.subject	The Railway Children	en_US
dc.subject	Electrical and Music Industries	en_US
dc.title	EMI Films and the Limits of British Cinema	en_US
dc.type	Book	en_US
dc.identifier.doi	http://dx.doi.org/10.1007/978-3-319-94803-4	-
pubs.edition	1	-
pubs.place-of-publication	United Kingdom	-
pubs.publication-status	Published	-
pubs.volume	1	-
Appears in Collections:	Brunel Law School Embargoed Research Papers

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