Please use this identifier to cite or link to this item: http://bura.brunel.ac.uk/handle/2438/20885
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dc.contributor.authorBirringer, J-
dc.date.accessioned2020-05-27T09:10:42Z-
dc.date.available2020-05-27T09:10:42Z-
dc.date.issued2020-05-01-
dc.identifier.citationBirringer, J. (2020) PAJ: A Journal of Performance and Art, 42 (2), pp. 133 - 138. doi: 10.1162/pajj_r_00530.en_US
dc.identifier.issn1520-281X-
dc.identifier.urihttps://bura.brunel.ac.uk/handle/2438/20885-
dc.format.extent133 - 138-
dc.languageEnglish-
dc.language.isoenen_US
dc.publisherMIT Press - Journalsen_US
dc.rightsCopyright © 2022 Massachusetts Institute of Technology. This is the final, peer reviewed version of an article published in PAJ: A Journal of Performance and Art (it is made available on this institutional repository after an embargo period of six months, permitted under the self-archiving policy at: https://direct.mit.edu/journals/pages/authors).: Citation: Birringer, J. (2020) PAJ: A Journal of Performance and Art, 42 (2), pp. 133 - 138. doi: 10.1162/pajj_r_00530.-
dc.rights.urihttps://direct.mit.edu/journals/pages/authors-
dc.titleQueering the Bauhausen_US
dc.typeArticleen_US
dc.identifier.doihttps://doi.org/10.1162/pajj_r_00530-
dc.relation.isPartOfPAJ: A Journal of Performance and Art-
pubs.issue2-
pubs.publication-statusPublished-
pubs.volume42-
dc.identifier.eissn1537-9477-
dc.rights.holderMassachusetts Institute of Technology-
Appears in Collections:Dept of Arts and Humanities Research Papers

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