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http://bura.brunel.ac.uk/handle/2438/22107
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DC Field | Value | Language |
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dc.contributor.advisor | Rugo, D | - |
dc.contributor.author | Ho, Yuda | - |
dc.date.accessioned | 2021-01-18T10:39:44Z | - |
dc.date.available | 2021-01-18T10:39:44Z | - |
dc.date.issued | 2020 | - |
dc.identifier.uri | http://bura.brunel.ac.uk/handle/2438/22107 | - |
dc.description | This thesis was submitted for the award of Doctor of Philosophy and was awarded by Brunel University London | en_US |
dc.description.abstract | Since its invention, cinema has had a long history of experimentation and exploration of the relationship between “screen,” “moving image,” and “place.” However, it is only in the last few decades that artists influenced by the site-specific art movements of the 1960s have started to use dynamic outdoor space in substantial ways. This kind of site-specific cinema privileges a number of distinct characteristics that could redefine cinema in new ways, such as the application of the long take, a non-narrative structure and a tendency towards a direct representation of time. This practice-based research explores site-specific cinema from two aspects: on the one hand, this research investigates how site-specific cinema develops a distinctive relationship between moving image, space and spectator. On the other hand, this research adopts Deleuze’s film-philosophy to explore the essence of the image in site-specific cinema. Focusing on the development of a filmmaking methodology, this research explicitly analyses the application of static shots, long takes, and balanced composition in Ozu’s films, and applies this to site-specific cinema, thereby denoting a new model of cinematic experience. By using a reflective practice approach, this research aims to contribute original knowledge through its contextual reviews and original artworks used as case studies. | en_US |
dc.language.iso | en | en_US |
dc.publisher | Brunel University London | en_US |
dc.relation.uri | https://bura.brunel.ac.uk/bitstream/2438/22107/1/FulltextThesis.pdf | - |
dc.subject | Site-specific art | en_US |
dc.subject | Slow cinema | en_US |
dc.subject | the Time-Image | en_US |
dc.subject | Gilles Deleuze | en_US |
dc.subject | Yasujirō Ozu | en_US |
dc.title | Between Site-Specificity and Landscape in Video Art | en_US |
dc.type | Thesis | en_US |
Appears in Collections: | Multimedia Dept of Arts and Humanities Theses |
Files in This Item:
File | Description | Size | Format | |
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FulltextThesis.pdf | 16.26 MB | Adobe PDF | View/Open |
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