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http://bura.brunel.ac.uk/handle/2438/23677Full metadata record
| DC Field | Value | Language |
|---|---|---|
| dc.contributor.author | Bosher, H | - |
| dc.date.accessioned | 2021-12-04T11:44:46Z | - |
| dc.date.available | 2021-12-04T11:44:46Z | - |
| dc.date.issued | 2021-01-21 | - |
| dc.identifier.citation | Bosher, H. (2021) 'Evidence for Economics of Music Streaming', Written evidence submitted to the House of Commons Digital, Culture, Media and Sport Committee - Economics of music streaming: Written evidence, 21 January, EMS0254. Available at: https://committees.parliament.uk/writtenevidence/18852/pdf/ | en_US |
| dc.identifier.govdoc | EMS0254 | - |
| dc.identifier.uri | https://bura.brunel.ac.uk/handle/2438/23677 | - |
| dc.description.abstract | Dr Hayleigh Bosher is a Senior Lecturer in Intellectual Property Law at Brunel University London and the author of Copyright in the Music: A Practical Guide to Exploiting and Enforcing Rights and Law, Technology and Cognition: The Human Element in Online Copyright Infringement. Hayleigh is also a Legal Consultant specialising in Intellectual Property, Media and Entertainment Law, and Co-Host of the Podcast Who’s Song Is It Anyway? The Podcast, publishing from January 2021, involves conversations with artists and people from the music industry on creativity and copyright. | en_US |
| dc.format | Electronic | - |
| dc.language.iso | en | en_US |
| dc.publisher | United Kingdom. Parliament. | en_US |
| dc.relation.uri | https://committees.parliament.uk/publications/6739/documents/72525/default/ | - |
| dc.relation.uri | https://ukparliament.shorthandstories.com/music-streaming-must-modernise-DCMS-report/index.html?utm_source=committees.parliament.uk&utm_medium=referrals&utm_campaign=economics-music-streaming&utm_content=organic | - |
| dc.relation.uri | https://publications.parliament.uk/pa/cm5802/cmselect/cmcumeds/50/5014.htm | - |
| dc.relation.uri | https://committees.parliament.uk/work/646/default/publications/written-evidence/?page=3 | - |
| dc.rights | Publication of evidence Evidence which is accepted by the Committee may be published online at any stage; when it is so published it becomes subject to parliamentary copyright and is protected by parliamentary privilege. Once you have received acknowledgement that the evidence has been published you may publicise or publish your evidence yourself. In doing so you must indicate that it was prepared for the Committee, and you should be aware that your publication or re-publication of your evidence may not be protected by parliamentary privilege. | - |
| dc.rights.uri | https://www.parliament.uk/mps-lords-and-offices/offices/commons/scrutinyunit/written-submissions/ | - |
| dc.title | Evidence for Economics of Music Streaming | en_US |
| dc.type | Other | en_US |
| pubs.publication-status | Published | - |
| Appears in Collections: | Brunel Law School Research Papers | |
Files in This Item:
| File | Description | Size | Format | |
|---|---|---|---|---|
| FullText.pdf | 101.67 kB | Adobe PDF | View/Open |
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