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DC Field | Value | Language |
---|---|---|
dc.contributor.author | Bosher, H | - |
dc.date.accessioned | 2022-02-05T13:00:09Z | - |
dc.date.available | 2022-02-05T13:00:09Z | - |
dc.date.issued | 2022-02-03 | - |
dc.identifier.citation | Bosher, H. (2022) 'The UK Economics of Music Streaming Inquiry', Entertainment Law Review, 33 (2), pp. 50-56 (7). Available at: https://uk.westlaw.com/Document/ I770868707D7811EC9E2C9DB1BFBCF217/View/FullText.html (accessed: 5 February 202). | en_US |
dc.identifier.issn | 0959-3799 | - |
dc.identifier.uri | https://bura.brunel.ac.uk/handle/2438/24058 | - |
dc.format.extent | 50 - 56 (7) | - |
dc.format.medium | Print-Electronic | - |
dc.language.iso | en | en_US |
dc.publisher | Sweet & Maxwell/ESC Publishing | en_US |
dc.relation.uri | https://uk.westlaw.com/Document/ I770868707D7811EC9E2C9DB1BFBCF217/View/FullText.html | - |
dc.rights | Copyright © Sweet & Maxwell/ESC Publishing 2023. This is a pre-copyedited, author-produced version of an article accepted for publication in Entertainment Law Review following peer review. The definitive published version Ent. L.R. 2022, 33(2), 50-56 is available online on Westlaw UK: https://uk.westlaw.com/Document/ I770868707D7811EC9E2C9DB1BFBCF217/View/FullText.html. It is made available on this institutional repository under a CC BY-NC license. No commecrial re-use is permitted. | - |
dc.rights.uri | https://creativecommons.org/licenses/by-nc/4.0/ | - |
dc.subject | copyright | en_US |
dc.subject | inquiries | en_US |
dc.subject | music industry | en_US |
dc.subject | select committees | en_US |
dc.subject | streaming media | en_US |
dc.title | The UK Economics of Music Streaming Inquiry | en_US |
dc.type | Article | en_US |
dc.relation.isPartOf | Entertainment Law Review (UK) | - |
pubs.issue | 2 | - |
pubs.publication-status | Published | - |
pubs.volume | 33 | - |
dc.identifier.eissn | 2754-1681 | - |
dc.rights.holder | Sweet & Maxwell/ESC Publishing | - |
Appears in Collections: | Brunel Law School Research Papers |
Files in This Item:
File | Description | Size | Format | |
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FullText.pdf | Copyright © Sweet & Maxwell/ESC Publishing 2023. This is a pre-copyedited, author-produced version of an article accepted for publication in Entertainment Law Review following peer review. The definitive published version Ent. L.R. 2022, 33(2), 50-56 is available online on Westlaw UK: https://uk.westlaw.com/Document/ I770868707D7811EC9E2C9DB1BFBCF217/View/FullText.html. It is made available on this institutional repository under a CC BY-NC license. No commecrial re-use is permitted. | 332.3 kB | Adobe PDF | View/Open |
This item is licensed under a Creative Commons License