Please use this identifier to cite or link to this item: http://bura.brunel.ac.uk/handle/2438/26567
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dc.contributor.authorSharanya-
dc.date.accessioned2023-05-30T13:56:31Z-
dc.date.available2023-05-30T13:56:31Z-
dc.date.issued2024-05-10-
dc.identifier.citationSharanya (2024) 'Hear-Telling the Chauraasi Archive: Performing Testimony after Trauma', Contemporary Theatre Review, 33 (4). pp. 354 - 372. doi: 10.1080/10486801.2024.2305449.en_US
dc.identifier.issn1026-7166-
dc.identifier.urihttps://bura.brunel.ac.uk/handle/2438/26567-
dc.description.abstractIn 2014, 30 years after the anti-Sikh pogrom (Chauraasi) instigated by the Hindu Right destroyed Sikh lives in New Delhi, I listened to the survivors and witnesses of the 1984 pogrom chat casually about their memories of the violence. Several visited their former homes at the original site of the violence and undertook ‘walks’ to remember what they had experienced. As they did so, they talked, creating a record of where their autobiographical re-tellings of those events created communal memory. While sociological scholarship attends to the trauma of 1984 (Saluja 2015; Das 2006), there is yet to emerge a reckoning with the performance iterations of such event-narratives as the memory walks. Using frameworks of witnessing, describing, and walking, thinking with how a walk can ‘hear-tell’ memory, I ask in this article: how does one re-tell testimonies of trauma and rumour that the survivors of Chauraasi remembered to and with a non-survivor? In what ways does rumour operate officially and informally? How does the telling, description, and undertaking of the memory walk reproduce a crisis of witnessing, and how does the aural and embodied performance of the walk respond to this crisis? How does the aporia between the descriptions emerging on memory walks and the ineffability of traumatic memory conjure the epistemic limits of narration?en_US
dc.format.extent354 - 372-
dc.format.mediumPrint-Electronic-
dc.language.isoenen_US
dc.publisherRoutledge (Taylor & Francis Group)en_US
dc.rightsCopyright © 2024 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group. This is an Open Access article distributed under the terms of the Creative Commons Attribution-NonCommercial-NoDerivatives License (https://creativecommons.org/licenses/by-nc-nd/4.0/), which permits non-commercial re-use, distribution, and reproduction in any medium, provided the original work is properly cited, and is not altered, transformed, or built upon in any way. The terms on which this article has been published allow the posting of the Accepted Manuscript in a repository by the author(s) or with their consent.-
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0/-
dc.subjectmemoryen_US
dc.subject1984en_US
dc.subjecttraumaen_US
dc.subjectwitnessingen_US
dc.subjectwalkingen_US
dc.titleHear-Telling the Chauraasi Archive: Performing Testimony after Traumaen_US
dc.typeArticleen_US
dc.date.dateAccepted2024-01-10-
dc.identifier.doihttps://doi.org/10.1080/10486801.2024.2305449-
dc.relation.isPartOfContemporary Theatre Review-
pubs.issue4-
pubs.publication-statusPublished-
pubs.volume33-
dc.identifier.eissn1477-2264-
dc.rights.licensehttps://creativecommons.org/licenses/by-nc-nd/4.0/legalcode.en-
dc.rights.holderThe Author(s)-
Appears in Collections:Dept of Arts and Humanities Research Papers

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