Border Control: Performing Aural Blurring as Testimony

Please use this identifier to cite or link to this item: http://bura.brunel.ac.uk/handle/2438/27144

Full metadata record

DC Field	Value	Language
dc.contributor.author	Murali, S	-
dc.contributor.editor	Kear, A	-
dc.contributor.editor	Kaldor, E	-
dc.contributor.editor	Kelleher, J	-
dc.contributor.editor	Roms, H	-
dc.contributor.editor	Bleeker, M	-
dc.date.accessioned	2023-09-08T09:11:23Z	-
dc.date.available	2023-09-08T09:11:23Z	-
dc.date.issued	2024	-
dc.identifier.citation	Murali, S. (2023) 'Border Control: Performing Aural Blurring as Testimony', in Kear, A. et al. (eds.) A Theatre of Powerlessness: Acts of Knowledge and the Performance of the Many. London: Bloomsbury Academic, (forthcoming).	en_US
dc.identifier.uri	https://bura.brunel.ac.uk/handle/2438/27144	-
dc.language.iso	en	en_US
dc.publisher	Bloomsbury Academic	en_US
dc.rights	Copyright © Sharanya Murali, 2023. This is an Accepted Manuscript of a book chapter published by Bloomsbury Publishing in on (forthcoming), available online: https://www.bloomsburycollections.com/book/...	-
dc.title	Border Control: Performing Aural Blurring as Testimony	en_US
dc.type	Book chapter	en_US
dc.relation.isPartOf	A Theatre of Powerlessness: Acts of Knowledge and the Performance of the Many	-
pubs.place-of-publication	London, UK; New York, NY, USA	-
pubs.publication-status	Accepted	-
dc.rights.holder	Sharanya Murali	-
Appears in Collections:	Dept of Arts and Humanities Embargoed Research Papers

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