Please use this identifier to cite or link to this item: http://bura.brunel.ac.uk/handle/2438/28296
Full metadata record
DC FieldValueLanguage
dc.contributor.authorLanzillo, A-
dc.date.accessioned2024-02-13T15:18:59Z-
dc.date.available2024-02-13T15:18:59Z-
dc.date.issued2024-01-23-
dc.identifierORCID iD: Amanda Lanzillo https://orcid.org/0000-0003-1688-4413-
dc.identifier.citationLanzillo, A. (2024) Pious Labor: Islam, Artisanship, and Technology in Colonial India. Oakland, California: University of California Press, pp. xi, 1 - 231. doi: 10.1525/luminos.173.en_US
dc.identifier.isbn978-0-520-39857-3 (pbk)-
dc.identifier.isbn978–0-520–39858-0 (ebk)-
dc.identifier.urihttps://bura.brunel.ac.uk/handle/2438/28296-
dc.descriptionContents: 1. Lithographic labor : locating Muslim artisans in the print economy -- 2. Electroplating as alchemy : labor and technology among Muslim metalsmiths -- 3. Sewing with Idris : artisan knowledge and community history -- 4. Migrant carpenters, migrant Muslims : religious and technical knowledge in motion -- 5. The steam engine as a Muslim technology : boilermaking and artisan Islam -- 6. Building the modern mosque : stonemasonry as religion and labor.-
dc.description.abstractIn the late nineteenth and early twentieth centuries, working-class people across northern India found themselves negotiating rapid industrial change, emerging technologies, and class hierarchies. In response to these massive changes, Indian Muslim artisans began to publicly assert the deep relation between their religion and their labor, using the increasingly accessible popular press to redefine Islamic traditions "from below." Centering the stories and experiences of metalsmiths, stonemasons, tailors, press workers, and carpenters, Pious Labor tells the story of colonial-era social changes through the perspectives of the workers themselves. As Amanda Lanzillo shows, the colonial marginalization of these artisans is intimately linked with the continued exclusion of laboring voices today. By drawing on previously unstudied Urdu-language technical manuals and community histories, Lanzillo highlights not only the materiality of artisanal production but also the cultural agency of artisanal producers, filling in a major gap in South Asian history"-- Provided by publisher.en_US
dc.description.sponsorshipIslamic Humanities series, University of California Press.en_US
dc.format.extentxi, 1 - 231-
dc.format.mediumPrint-Electronic-
dc.language.isoen_USen_US
dc.publisherUniverisity of California Pressen_US
dc.relation.ispartofseriesIslamic Humanities;5-
dc.rightsCopyright © 2023 by Amanda Lanzillo. Published by University of California Press. This work is licensed under a Creative Commons [CC BY-NC-ND] license. To view a copy of the license, visit https://creativecommons.org/licenses/by-nc-nd/4.0/ .-
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0/-
dc.subjectIslamen_US
dc.subjectartisanshipen_US
dc.subjecttechnologyen_US
dc.subjectcolonial Indiaen_US
dc.subjecthistoryen_US
dc.titlePious Labor: Islam, Artisanship, and Technology in Colonial Indiaen_US
dc.typeBooken_US
dc.identifier.doihttps://doi.org/10.1525/luminos.173-
pubs.publication-statusPublished-
dc.rights.holderAmanda Lanzillo-
Appears in Collections:Dept of Social and Political Sciences Research Papers

Files in This Item:
File Description SizeFormat 
FullText.pdfCopyright © 2023 by Amanda Lanzillo. Published by University of California Press. This work is licensed under a Creative Commons [CC BY-NC-ND] license. To view a copy of the license, visit https://creativecommons.org/licenses/by-nc-nd/4.0/ .29.01 MBAdobe PDFView/Open


This item is licensed under a Creative Commons License Creative Commons