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Please use this identifier to cite or link to this item: http://bura.brunel.ac.uk/handle/2438/28298
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dc.contributor.authorLanzillo, A-
dc.date.accessioned2024-02-13T16:05:58Z-
dc.date.available2024-02-13T16:05:58Z-
dc.date.issued2022-09-30-
dc.identifierORCID iD: Amanda Lanzillo https://orcid.org/0000-0003-1688-4413-
dc.identifier11-
dc.identifier.citationLanzillo, A. (2022) 'Bombay Cinema's Islamicate History', Journal of Religion & Film, 26 (2), 11, pp. 1 - 8. doi: 10.32873/uno.dc.jrf.26.02.11.en_US
dc.identifier.urihttps://bura.brunel.ac.uk/handle/2438/28298-
dc.description.abstractThis is a book review of Ira Bhaskar and Richard Allen, eds., Bombay Cinema’s Islamicate Histories (Intellect Ltd, 2022).en_US
dc.format.extent1 - 8-
dc.languageEnglish-
dc.language.isoen_USen_US
dc.publisherUniversity of Nebraska, Omahaen_US
dc.rightsCopyright © The Author 2022. This work is licensed under a Creative Commons Attribution 4.0 License (https://creativecommons.org/licenses/by/4.0/). This Book Review is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact unodigitalcommons@unomaha.edu.-
dc.rights.urihttps://creativecommons.org/licenses/by/4.0/-
dc.titleBombay Cinema's Islamicate Historyen_US
dc.typeArticleen_US
dc.identifier.doihttps://doi.org/10.32873/uno.dc.jrf.26.02.11-
dc.relation.isPartOfJournal of Religion & Film-
pubs.issue2-
pubs.publication-statusPublished-
pubs.volume26-
dc.identifier.eissn1092-1311-
dc.rights.holderThe Author-
Appears in Collections:Dept of Social and Political Sciences Research Papers

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