Please use this identifier to cite or link to this item: http://bura.brunel.ac.uk/handle/2438/29129
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dc.contributor.authorLopez, M-
dc.contributor.authorKearney, G-
dc.contributor.authorHofstädter, K-
dc.contributor.authorBalla, G-
dc.date.accessioned2024-06-05T14:49:02Z-
dc.date.available2024-06-05T14:49:02Z-
dc.date.issued2020-11-11-
dc.identifierORCiD: Mariana Lopez https://orcid.org/0000-0003-0374-7727-
dc.identifierORCiD: Gavin Kearney https://orcid.org/0000-0002-0692-236X-
dc.identifierORCiD: Gianluca Balla https://orcid.org/0000-0002-0954-8051-
dc.identifier.citationLopez, M. et al. (2020) 'Enhancing audio description: accessible filmmaking, sound design and the importance of educating filmmakers', Media Practice and Education, 21 (4), pp. 289 - 304. doi: 10.1080/25741136.2020.1832830.en_US
dc.identifier.issn2574-1136-
dc.identifier.urihttps://bura.brunel.ac.uk/handle/2438/29129-
dc.description.abstractThe Enhancing Audio Description project explored the design of an alternative to traditional Audio Description for film and television for visually impaired audiences, by maximising the potential of sound design strategies for storytelling. The project’s methodology sits within the field of accessible filmmaking, advocating for the integration of accessibility strategies to creative workflows while also acknowledging their artistic potential. The present article explores the use of the Enhancing Audio Description (EAD) methods by a group of film students and recent graduates in the creation of a short film, while also discussing the process and end result in the context of the lack of inclusion of education on accessibility in filmmaking degrees. The authors discuss how a lack of teaching in the field of accessibility to film students results in a reinforcement of harmful stereotypes that exclude disabled audiences. A greater interest in accessibility sparked at university level might contribute towards a more inclusive film industry.en_US
dc.description.sponsorshipThe Enhancing Audio Description project was funded by the Arts and Humanities Research Council (AH/N003713/1).en_US
dc.format.extent289 - 304-
dc.format.mediumPrint-Electronic-
dc.language.isoenen_US
dc.publisherRoutledge (Taylor & Francis Group)en_US
dc.rightsCopyright © 2020 Taylor & Francis. This is an Accepted Manuscript of an article published by Taylor & Francis in Media Practice and Education on 11 Nov 2020, available at: http://www.tandfonline.com/10.1080/25741136.2020.1832830 (see: https://authorservices.taylorandfrancis.com/research-impact/sharing-versions-of-journal-articles/).-
dc.rights.urihttps://creativecommons.org/licenses/by-nc/4.0/-
dc.subjectmedia accessibilityen_US
dc.subjectaudio descriptionen_US
dc.subjectfilmmaking degreesen_US
dc.titleEnhancing audio description: accessible filmmaking, sound design and the importance of educating filmmakersen_US
dc.typeArticleen_US
dc.date.dateAccepted2020-09-09-
dc.identifier.doihttps://doi.org/10.1080/25741136.2020.1832830-
dc.relation.isPartOfMedia Practice and Education-
pubs.issue4-
pubs.publication-statusPublished-
pubs.volume21-
dc.identifier.eissn2574-1144-
dc.rights.licensehttps://creativecommons.org/licenses/by-nc/4.0/legalcode.en-
dc.rights.holderTaylor & Francis-
Appears in Collections:Dept of Arts and Humanities Research Papers

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