Please use this identifier to cite or link to this item: http://bura.brunel.ac.uk/handle/2438/29636
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dc.contributor.authorAjovalasit, M-
dc.contributor.authorGiacomin, J-
dc.contributor.editorBohemia, E-
dc.contributor.editorGemser, G-
dc.contributor.editorFain, N-
dc.contributor.editorde Bont, C-
dc.contributor.editorAssoreira Almendra, R-
dc.date.accessioned2024-09-01T09:04:53Z-
dc.date.available2024-09-01T09:04:53Z-
dc.date.issued2019-11-11-
dc.identifierORCiD: Marco Ajovalasit https://orcid.org/0000-0002-8818-2683-
dc.identifierORCiD: Joseph Giacomin https://orcid.org/0000-0003-0068-904X-
dc.identifierDS99-
dc.identifier.citationAjovalasit, M. and Giacomin, J. (2019) 'Meaning of artefacts: interpretations can differ between designers and consumers', Conference proceedings of the Academy for Design Innovation Management: Research Perspectives In the era of Transformations, London, UK, 19-21 June, pp. 1178 - 1188. Available at: https://www.aacademica.org/del.giorgio.solfa/219 (Accessed 1 September 2024)en_US
dc.identifier.isbn978-1-912769-01-8 (e-Book)-
dc.identifier.isbn978-1-912769-02-5 (pbk)-
dc.identifier.urihttps://bura.brunel.ac.uk/handle/2438/29636-
dc.descriptionADIM 2019 Editors: Erik Bohemia, Gerda Gemser, Nuša Fain, Cees de Bont and Rita Assoreira Almendra.-
dc.descriptionN.B. The DOI is no longer valid and redirects to a different domain. Therefore, do not cite doi: 10.33114/adim.2019.02.266.-
dc.description.abstractPrevious research has suggested three primary categories of meaning which designers should consider during their design processes, i.e. function, ritual and myth, which cover a spectrum from the purely instrumental to the purely symbolic. The research hypothesis of the current study was that the previously identified three primary categories of meaning would be commonly encountered in practice, and that statistically significant differences would occur between designers and consumers. A semi-structured questionnaire was deployed with ten designers and with ten consumers using a set of twenty photographs of designed artefacts. The results suggested that all three categories of meaning could occur individually or could be co-present to some degree. The results further suggested that statistically significant differences occurred between the group of designers and the group of consumers in the indicated category of meaning and in the adjectives used to describe the artefacts. The findings suggest that some meaning divergences may be occurring between designers and consumers, and would appear to highlight the need for carefully executed ethnographic and user testing activities.en_US
dc.format.extent1178 - 1188-
dc.format.mediumElectronic-
dc.language.isoenen_US
dc.publisherAcademy for Design Innovation Managementen_US
dc.relation.ispartofseriesThe Design Society’s publication number;DS 99-
dc.relation.urihttps://www.aacademica.org/del.giorgio.solfa/219-
dc.rightsCopyright © 2019 The Authors. This work is licensed under a Creative Commons Attribution-NonCommercial-Share Alike 4.0 International License.https://creativecommons.org/licenses/by-nc-sa/4.0/. Esta obra está bajo una licencia de Creative Commons. Para ver una copia de esta licencia, visite https://creativecommons.org/licenses/by-sa/4.0/deed.es.-
dc.rights.urihttps://creativecommons.org/licenses/by-nc-sa/4.0/-
dc.subjectdesigneren_US
dc.subjectconsumeren_US
dc.subjectmeaningen_US
dc.subjectfunctionen_US
dc.subjectritualen_US
dc.subjectmythen_US
dc.subjectmetaphoren_US
dc.subjecthuman centred designen_US
dc.titleMeaning of artefacts: interpretations can differ between designers and consumersen_US
dc.typeConference Paperen_US
dc.relation.isPartOfConference proceedings of the Academy for Design Innovation Management: Research Perspectives In the era of Transformations-
pubs.issue1-
pubs.publication-statusPublished online-
pubs.volume2-
dc.identifier.eissn2632-0045-
dc.rights.licensehttps://creativecommons.org/licenses/by-nc-sa/4.0/legalcode.en-
dc.rights.holderThe Authors-
Appears in Collections:Brunel Design School Research Papers

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