Moore to Theatre Past: Queer Historiography and the Partnership of John Henry Moore and Jim Haynes as Foundational to British Alternative Performance Practices

Please use this identifier to cite or link to this item: http://bura.brunel.ac.uk/handle/2438/29724

Full metadata record

DC Field	Value	Language
dc.contributor.author	Peterson, GT	-
dc.date.accessioned	2024-09-13T12:16:34Z	-
dc.date.available	2024-09-13T12:16:34Z	-
dc.date.issued	2024	-
dc.identifier	ORCiD: Grant Tyler Peterson https://orcid.org/0000-0002-4290-6623	-
dc.identifier.citation	Peterson, G.T. (2024) 'Moore to Theatre Past: Queer Historiography and the Partnership of John Henry Moore and Jim Haynes as Foundational to British Alternative Performance Practices', Contemporary Theatre Review, 34 (4(accepted, in press)), pp. 1 - [ 30].	en_US
dc.identifier.issn	1048-6801	-
dc.identifier.uri	https://bura.brunel.ac.uk/handle/2438/29724	-
dc.description.abstract	...	en_US
dc.format.extent	1 - 30	-
dc.format.medium	Print-Electronic	-
dc.language.iso	en_US	en_US
dc.publisher	Routledge (Taylor & Francis Group)	-
dc.subject	theatre	en_US
dc.subject	historiography	en_US
dc.subject	homosexuality	en_US
dc.subject	queer	en_US
dc.subject	Britain	en_US
dc.title	Moore to Theatre Past: Queer Historiography and the Partnership of John Henry Moore and Jim Haynes as Foundational to British Alternative Performance Practices	en_US
dc.type	Article	en_US
dc.date.dateAccepted	2024-09-03	-
dc.relation.isPartOf	Contemporary Theatre Review	-
pubs.issue	4	-
pubs.publication-status	Accepted	-
pubs.volume	34	-
dc.identifier.eissn	1477-2264	-
Appears in Collections:	Dept of Arts and Humanities Embargoed Research Papers

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