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DC Field | Value | Language |
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dc.contributor.author | Sykes, I | - |
dc.date.accessioned | 2024-10-17T14:44:57Z | - |
dc.date.available | 2024-10-17T14:44:57Z | - |
dc.date.issued | 2024-10-10 | - |
dc.identifier | ORCiD: Isabel Sykes https://orcid.org/0009-0001-8278-6419 | - |
dc.identifier.citation | Sykes, I. (2024) 'From ‘girlboss’ to #stayathomegirlfriend: The romanticisation of domestic labour on TikTok', European Journal of Cultural Studies, 0 (ahead of print), pp. 1 - 19. doi: 10.1177/13675494241285643. | en_US |
dc.identifier.issn | 1367-5494 | - |
dc.identifier.uri | https://bura.brunel.ac.uk/handle/2438/29959 | - |
dc.description | Data availability statement: Data sharing is not applicable to this article as no datasets were generated or analysed during the current study. | en_US |
dc.description.abstract | Since the beginning of the Covid-19 pandemic, romanticised depictions of domestic work have proliferated on social media sites. In particular, the increasingly popular TikTok platform is replete with images of domestic labour centred on repetitive routines, catharsis and feminine aesthetics. The #stayathomegirlfriend trend exemplifies this phenomenon. Rooted in tradwife ideology, which advocates a ‘return’ to a male breadwinner model of domesticity, the #stayathomegirlfriend aesthetic espouses a romantic ideal of feminine domesticity as an escape from the ‘double shift’ and represents a backlash to popular feminism’s failed injunction to ‘lean in’. Under this trend, domestic labour is romanticised as an aesthetically pleasing self-care practice for a generation who have watched their mothers suffer through the grind of the neoliberal labour market, and who are themselves incited to become a ‘girlboss’ to survive it. Through a thematic analysis of popular videos under this hashtag trend, this article reveals that stay-at-home girlfriends unwittingly mimic the popular feminist doctrine of ‘empowerment’ through their depictions of domestic self-care and channel ‘girlboss’ culture through their work as social media influencers. Thus, despite purporting to reject popular feminism’s celebration of the ‘girlboss’ and repurpose tradwife ideology for Generation Z, stay-at-home girlfriends accomplish neither: subjugating themselves within the ‘double shift’ and denying the value of their own labour on both fronts. | en_US |
dc.description.sponsorship | Arts and Humanities Research Council as part of the Techne Doctoral Training Partnership [Training Grant reference number AH/ R01275X/1]. | en_US |
dc.format.extent | 1 - 19 | - |
dc.format.medium | Print-Electronc | - |
dc.language.iso | en | en_US |
dc.publisher | SAGE Publications | en_US |
dc.rights | Attribution 4.0 International | - |
dc.rights.uri | https://creativecommons.org/licenses/by/4.0/ | - |
dc.subject | domestic labour | en_US |
dc.subject | popular feminism | en_US |
dc.subject | #stayathomegirlfriend | en_US |
dc.subject | TikTok | en_US |
dc.subject | tradwives | en_US |
dc.title | From ‘girlboss’ to #stayathomegirlfriend: The romanticisation of domestic labour on TikTok | en_US |
dc.type | Article | en_US |
dc.date.dateAccepted | 2024-09-13 | - |
dc.identifier.doi | https://doi.org/10.1177/13675494241285643 | - |
pubs.issue | 00 | - |
pubs.volume | 0 | - |
dc.identifier.eissn | 1460-3551 | - |
dc.rights.license | https://creativecommons.org/licenses/by/4.0/legalcode.en | - |
dc.rights.holder | The Author | - |
Appears in Collections: | Dept of Social and Political Sciences Research Papers |
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