Please use this identifier to cite or link to this item: http://bura.brunel.ac.uk/handle/2438/30730
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dc.contributor.authorRugo, D-
dc.date.accessioned2025-02-14T16:09:11Z-
dc.date.available2025-02-05-
dc.date.available2025-02-14T16:09:11Z-
dc.date.issued2025-02-12-
dc.identifierORCiD: Daniele Rugo https://orcid.org/0000-0001-8606-9524-
dc.identifier.citationRugo, D. (2025) 'Beyond Stories and Facts: On Abbas Kiarostami’s ‘Documentary Objects’', Cinema Iranica, February 12, pp. 1 - 14. Available at: https://cinema.iranicaonline.org/article/16008-2/ (accessed: 12 February 2025).en_US
dc.identifier.urihttps://bura.brunel.ac.uk/handle/2438/30730-
dc.description.abstract‛Abbās Kiyārustamī’s work has often been praised for displaying at once formal simplicity and sophisticated emotional registers. This simplicity can be observed both in Kiyārustamī’s acclaimed narrative work and in the relatively less known documentary films that he has produced throughout his career, from Homework (1989) all the way to 24 Frames (2017), released just after his untimely death.en_US
dc.format.extent1 - 14-
dc.format.mediumElectronic-
dc.languageEnglish-
dc.language.isoen_USen_US
dc.publisherThe University of Toronto, in collaboration with the Encyclopaedia Iranica Foundation (EIF)en_US
dc.relation.urihttps://cinema.iranicaonline.org/article/16008-2/-
dc.rightsCopyright © Cinema Iranica and Abbās Kiyārustamī 2025. All rights reserved. For private study only. No commercial reuse is permitted.-
dc.titleBeyond Stories and Facts: On Abbas Kiarostami’s ‘Documentary Objects’en_US
dc.typeArticleen_US
dc.relation.isPartOfCinema Iranica-
pubs.publication-statusPublished-
dc.rights.holderCinema Iranica and Abbās Kiyārustamī-
Appears in Collections:Dept of Arts and Humanities Research Papers

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