Please use this identifier to cite or link to this item: http://bura.brunel.ac.uk/handle/2438/31963
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dc.contributor.authorWeaver, S-
dc.contributor.editorDouble, O-
dc.date.accessioned2025-09-10T07:33:19Z-
dc.date.available2025-09-10T07:33:19Z-
dc.date.issued2025-09-04-
dc.identifierORCiD: Simon Weaver https://orcid.org/0000-0001-7929-2920-
dc.identifierChapter 10-
dc.identifier.citationWeaver, S. (2025) 'Stand-Up Comedy and Offence', in O. Double (ed.) The Cambridge Companion to Stand-Up Comedy,. Cambridge: Cambridge University Press, pp. 189 - 205. doi: 10.1017/9781009000635.016en_US
dc.identifier.isbn978-1-316-51857-1 (hbk)-
dc.identifier.isbn978-1-009-00063-5 (ebk)-
dc.identifier.isbn978-1-009-00973-7 (pbk)-
dc.identifier.urihttps://bura.brunel.ac.uk/handle/2438/31963-
dc.description.abstractOffensiveness is a key issue in contemporary public discourse, especially in relation to media content. Stand-up comedy has provided an important site for discussions of offensiveness, both inside of performances and in the commentary on comedy in other forms of popular media. This chapter provides a brief summary of some well-known examples of stand-up comedy that are embroiled in debates on offensiveness, before engaging in a discussion of what constitutes offensive stand-up comedy. The chapter theorises the discursive work that offensive stand-up comedy does in contemporary contexts through concepts of rhetoric, the performative, and symbolic violence. Comedy and harm are discussed and an explanation of what researchers have described as the impacts of humour and comedy is given. Throughout the chapter, the points made are elaborated with extracts from British stand-up comedian Ricky Gervais’ Netflix special Supernature (2022), especially through an analysis of jokes made by Gervais about transgender people. These and other jokes are examined alongside the disclaimers used in the stand-up comedy performance.en_US
dc.format.extent189 - 205-
dc.format.mediumPrint-Electronic-
dc.languageEnglish-
dc.language.isoenen_US
dc.publisherCambridge University Pressen_US
dc.relation.ispartofseriesCambridge Companions to Theatre and Performance-
dc.rightsThis material has been published in revised form in The Cambridge Companion to Stand-Up Comedy edited by Oliver Double, available at https://doi.org/10.1017/9781009000635. This version is free to view and download for private research and study only. Not for re-distribution or re-use. Copyright © 2025 The Author.. Published by Cambridge University Press (see: https://www.cambridge.org/core/services/open-research/green-open-access-policy-for-books).-
dc.rights.urihttps://www.cambridge.org/core/services/open-access-policies/open-access-books/green-open-access-policy-for-books-
dc.subjectcomedy and harm-
dc.subjectoffensiveness-
dc.subjectperformative comedy-
dc.subjectrhetoric-
dc.subjectRicky Gervais-
dc.subjectSupernature-
dc.subjectsymbolic violence-
dc.titleStand-Up Comedy and Offenceen_US
dc.typeBook chapteren_US
dc.identifier.doihttps://doi.org/10.1017/9781009000635.016-
dc.relation.isPartOfThe Cambridge Companion to Stand-Up Comedy-
pubs.place-of-publicationCambridge-
pubs.publication-statusPublished-
dc.rights.holderThe author-
Appears in Collections:Dept of Social and Political Sciences Research Papers

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