Please use this identifier to cite or link to this item: http://bura.brunel.ac.uk/handle/2438/32036
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dc.contributor.advisorLeon, L-
dc.contributor.advisorAshby, N-
dc.contributor.authorMorse, Rhianna Maria-
dc.date.accessioned2025-09-24T17:14:59Z-
dc.date.available2025-09-24T17:14:59Z-
dc.date.issued2025-
dc.identifier.urihttps://bura.brunel.ac.uk/handle/2438/32036-
dc.descriptionThis thesis was submitted for the award of Doctor of Philosophy and was awarded by Brunel University Londonen_US
dc.description.abstractThe research set out in this thesis explored science-fiction and fantasy posters, specifically those related to films and television shows, from the perspective of their owners, examining their potential as sources of cultural significance and meaning. The research explored these in terms of the components (e.g., content) of the poster, the room they are displayed in, their placement, the media texts (films or television shows) they reference, morals, behaviour, identity, sense of self, well-being (through emotional responses), self-expression, other opinions and levels of investment. Given that science fiction and fantasy are otherworldly and imaginative genres, exploring their posters offers a unique lens, akin to exploring the fantastical worlds they depict. Data were collected through an online survey and semi-structured interviews with adult science-fiction and fantasy film and television show poster owners. The significance and meaning of these posters were framed by two conceptual models: ‘The Three Significances’, aesthetics, functionality, and significance (both spatial and personal), and ‘The Big Three’, content, design, and colour. Among these, content held the greatest significance for owners. Posters served as tools for self-expression, reflecting their owners' identities, affinities, and convictions, while also reinforcing their connection to films and TV shows they reference. Rather than shaping moral beliefs, posters were more likely to reinforce their sense of self and fan identity and evoke emotional responses. The space in which posters are displayed shapes their meaning and significance, just as posters influence the atmosphere and function of that space. Official posters tend to be accurate depictions of the media text, while fan art posters offer creative reinterpretations of already reimagined worlds. Additionally, the type of poster, physical or digital, plays a crucial role in shaping ‘The Three Significances’, influencing its availability (both in terms of content and accessibility) and its presentation/display (how it is showcased and experienced).en_US
dc.publisherBrunel University Londonen_US
dc.relation.urihttps://bura.brunel.ac.uk/handle/2438/32036/1/FulltextThesis.pdf-
dc.subjectParatextsen_US
dc.subjectFan Studiesen_US
dc.subjectVisual Cultureen_US
dc.subjectMaterial Cultureen_US
dc.subjectAdvertising and Marketingen_US
dc.titleWindows of fantasy: The significance of science fiction and fantasy film and television postersen_US
dc.title.alternativeWindows of fantasyen_US
dc.typeThesisen_US
Appears in Collections:Dept of Arts and Humanities Theses
Film and Television

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