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http://bura.brunel.ac.uk/handle/2438/32293Full metadata record
| DC Field | Value | Language |
|---|---|---|
| dc.contributor.author | Evans, B | - |
| dc.contributor.author | Rugo, D | - |
| dc.date.accessioned | 2025-11-05T14:47:29Z | - |
| dc.date.available | 2025-11-05T14:47:29Z | - |
| dc.date.issued | 2025-07-01 | - |
| dc.identifier | ORCiD: Brad Evans https://orcid.org/0000-0002-6956-4969 | - |
| dc.identifier | ORCiD: Daniele Rugo https://orcid.org/0000-0001-8606-9524 | - |
| dc.identifier.citation | Evans, B. and Rugo, D. (2025) 'Annihilated landscapes: Disappearance, desolation and the memory of the abyss', Thesis Eleven, 189 (1), pp. 20 - 36. doi: 10.1177/07255136251353235. | en_US |
| dc.identifier.issn | 0725-5136 | - |
| dc.identifier.uri | https://bura.brunel.ac.uk/handle/2438/32293 | - |
| dc.description | This article forms part of a special issue: Annihilation Aesthetics: The Disappearances of Hiroshima and Nagasaki. | - |
| dc.description.abstract | This article addresses both the conceptualisation and visualisation of annihilation landscapes of suffering and despair. Rethinking the history of the bombings of Hiroshima and Nagasaki and what it means for understanding the past and present of atrocity, the essay attends to key concerns with the logics of the abyss and the nihilism of technologically enabled destruction. These will be addressed through a number of films that will highlight our main concerns with the violence of disappearance, desolation and the (im)possibility of memory. | en_US |
| dc.description.sponsorship | The authors received no financial support for the research, authorship, and/or publication of this article. | en_US |
| dc.format.extent | 20 - 36 | - |
| dc.format.medium | Print-Electronic | - |
| dc.language.iso | en_US | en_US |
| dc.rights | Creative Commons Attribution 4.0 International | - |
| dc.rights.uri | https://creativecommons.org/licenses/by/4.0/ | - |
| dc.subject | disappearance | en_US |
| dc.subject | desolation | en_US |
| dc.subject | abyss | en_US |
| dc.subject | annihilation | en_US |
| dc.title | Annihilated landscapes: Disappearance, desolation and the memory of the abyss | en_US |
| dc.type | Article | en_US |
| dc.identifier.doi | https://doi.org/10.1177/07255136251353235 | - |
| dc.relation.isPartOf | Thesis Eleven | - |
| pubs.issue | 1 Annihilation Aesthetics: The Disappearances of Hiroshima and Nagasaki | - |
| pubs.publication-status | Published | - |
| pubs.volume | 189 | - |
| dc.identifier.eissn | 1461-7455 | - |
| dc.rights.license | https://creativecommons.org/licenses/by/4.0/legalcode.en | - |
| dc.rights.holder | The Author(s) | - |
| Appears in Collections: | Dept of Arts and Humanities Research Papers | |
Files in This Item:
| File | Description | Size | Format | |
|---|---|---|---|---|
| FullText.pdf | Copyright © The Author(s) 2025. Rights and permissions: Creative Commons License (CC BY 4.0). This article is distributed under the terms of the Creative Commons Attribution 4.0 License (https://creativecommons.org/licenses/by/4.0/) which permits any use, reproduction and distribution of the work without further permission provided the original work is attributed as specified on the SAGE and Open Access page (https://us.sagepub.com/en-us/nam/open-access-at-sage). | 277.87 kB | Adobe PDF | View/Open |
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