Please use this identifier to cite or link to this item: http://bura.brunel.ac.uk/handle/2438/4348
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dc.contributor.authorFulton, D-
dc.date.accessioned2010-05-14T09:31:49Z-
dc.date.available2010-05-14T09:31:49Z-
dc.date.issued2007-
dc.identifier.citationAtlantis. 29(2): 9-25en
dc.identifier.issn0210-6124-
dc.identifier.urihttp://www.atlantisjournal.org/ARCHIVE/29.2/2007Fulton.pdfen
dc.identifier.urihttp://bura.brunel.ac.uk/handle/2438/4348-
dc.description.abstractAlthough his poetry gives every appearance of being pre-eminently 'English', Hugo Williams claims he is an 'Anglo-American' poet. This surprising assertion rests on his enthusiastic embrace of American popular culture as well as the construction of a style out of American Imagist, "Objectivist" and Confessional strategies. Both elements of the epithet Anglo-American are examined in relation to the poet's work and in the process Williams' claim is shown to be unsustainable, yet at the same time highly revealing of currents within English literary culture.en
dc.language.isoenen
dc.publisherAEDEANen
dc.subjectAnglo-Americanen
dc.subjectImagisten
dc.subjectObjectivisten
dc.subjectConfessionalen
dc.subjectModernisten
dc.subjectMinimalismen
dc.subjectHybridityen
dc.titleHugo Williams, self-styled anglo-american poeten
dc.typeResearch Paperen
Appears in Collections:English and Creative Writing
Dept of Arts and Humanities Research Papers

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