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| Issue Date | Title | Author(s) |
|---|---|---|
| 2015 | Composition is not research | Croft, J |
| 2015 | The pedagogy of political film. Elio Petri’s Todo Modo | Rugo, D |
| 2015 | From the high ground to the swamp: A model for immersive journalism research | Niblock, S |
| 2015 | Alternative futures and future alternatives for the philosophy of education: Introduction to the symposium | Biesta, G; Peters, M |
| 2018 | Exactitude and partiality: Merleau-Ponty and Nancy on cinema | - |
| 2005 | Digital arts in the context of traditional and contemporary creative arts training and practices | Moin Namini, Susan |
| 2012 | Discourse or dialogue? Habermas, the Bakhtin Circle, and the question of concrete utterances | Roberts, JM |
| 2011 | The instrument in space: The embodiment of music in the machine age | Wilkins, Caroline |
| 2008 | Troika ranch: Making new connections a Deleuzian approach to performance and technology | Broadhurst, SM |
| 2008 | Hollywood cinema and climate change: The day after tomorrow | Ingram, D |
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